百大电影书籍（2023） | 《好莱坞报道》
来自: 京奈(晨风浮动 绣蝶帘)
The 100 Greatest Film Books of All Time
（列出中文名的都有译本，有删除线的则为译本评价不佳）
O 1. 希区柯克论电影 Hitchcock [aka Hitchcock/Truffaut], by François Truffaut (1967)
O 2. 逍遥骑士、愤怒公牛 Easy Riders, Raging Bulls: How the Sex-Drugsand-Rock ’n’ Roll Generation Saved Hollywood, by Peter Biskind (1998)
O 3. 编剧 Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting, by William Goldman (1983)
O 4. 光影流情 : 罗伯特·埃文斯回忆录 The Kid Stays in the Picture, by Robert Evans (1994)
O 5. I Lost It at the Movies, by Pauline Kael (1965)
O 6. An Empire of Their Own: How the Jews Invented Hollywood, by Neal Gabler (1988)
O 7. You’ll Never Eat Lunch in This Town Again, by Julia Phillips (1991)
O 8. (tie) Elia Kazan: A Life, by Elia Kazan (1988)
O 8. (tie) 导演 Making Movies, by Sidney Lumet (1995)
O 10. Pictures at a Revolution: Five Movies and the Birth of the New Hollywood, by Mark Harris (2008)
O 11. What Makes Sammy Run? by Budd Schulberg (1941)
O 12. The Parade’s Gone By …, by Kevin Brownlow (1968)
O 13. 蝗灾之日 The Day of the Locust, by Nathanael West (1939)
O 14. From Reverence to Rape: The Treatment of Women in the Movies, by Molly Haskell (1974)
O 15. Mike Nichols: A Life, by Mark Harris (2021)
O 16. The American Cinema: Directors and Directions, 1929-1968, by Andrew Sarris (1968)
O 17. The Genius of the System: Hollywood Filmmaking in the Studio Era, by Thomas Schatz (1988)
O 18. Hollywood Babylon, by Kenneth Anger (1959)
O 19. Leonard Maltin’s Movie Guide, by Leonard Maltin (1969)
O 20. (tie) Final Cut: Dreams and Disaster in the Making of Heaven’s Gate, by Steven Bach (1985)
O 20. (tie) Goldwyn: A Biography, by A. Scott Berg (1989)
O 22. (tie) The Celluloid Closet: Homosexuality in the Movies, by Vito Russo (1981)
O 22. (tie) 日落大道 : 对话比利·怀尔德 Conversations With Wilder, by Cameron Crowe (1999)
O 22. (tie) 末代大亨的情缘 The Last Tycoon, by F. Scott Fitzgerald, finished by Edmund Wilson (1941)
O 25. The Devil’s Candy: The Anatomy of a Hollywood Fiasco, by Julie Salamon (1991)
O 26. 眨眼之间 : 电影剪辑的奥秘（第2版）In the Blink of an Eye, by Walter Murch (1995)
O 27. Memo From David O. Selznick: The Creation of Gone With the Wind and Other Motion Picture Classics, as Revealed in the Producer’s Private Letters, Telegrams, Memorandums and Autobiographical Remarks, by Rudy Behlmer (1972)
O 28. City of Nets: A Portrait of Hollywood in the 1940s, by Otto Friedrich (1988)
O 29. 大曝光 : 好莱坞与华尔街的真实故事 Indecent Exposure: A True Story of Hollywood and Wall Street, by David McClintick (1982)
O 30. (tie) Picture: A Story About Hollywood, by Lillian Ross (1952)
O 30. (tie) The Player, by Michael Tolkin (1988)
O 32. (tie) Agee on Film [Vols. 1 and 2], by James Agee (1958 & 1960)
O 32. (tie) Play It as It Lays, by Joan Didion (1970)
O 34. Postcards From the Edge, by Carrie Fisher (1987)
O 35. 电影是什么？What Is Cinema? [Vols. 1 and 2], by André Bazin (1967 & 1971)
O 36. Who the Devil Made It, by Peter Bogdanovich (1997)
O 37. 低俗电影 : 米拉麦克斯、圣丹斯和独立电影的兴起 Down and Dirty Pictures: Miramax, Sundance and the Rise of Independent Film, by Peter Biskind (2004)
O 38. (tie) The Big Goodbye: Chinatown and the Last Years of Hollywood, by Sam Wasson (2020)
O 38. (tie) Hit and Run: How Jon Peters and Peter Guber Took Sony for a Ride in Hollywood, by Nancy Griffin & Kim Masters (1996)
O 38. (tie) The Name Above the Title: An Autobiography, by Frank Capra (1971)
O 38. (tie) Toms, Coons, Mulattos, Mammies and Bucks: An Interpretative History of Blacks in American Films, by Donald Bogle (1973)
O 42. A Biographical Dictionary of Cinema [aka The New Biographical Dictionary of Film], by David Thomson (1975)
O 43. 电影书写札记 Notes on the Cinematograph, by Robert Bresson (1975)
O 44. Lulu in Hollywood, by Louise Brooks (1982)
O 45. 生活本身 Life Itself, by Roger Ebert (2011)
O 46. Naming Names, by Victor S. Navasky (1980)
O 47. 矮子当道 Get Shorty, by Elmore Leonard (1990)
O 48. (tie) 五个人的战争 Five Came Back: A Story of Hollywood and the Second World War, by Mark Harris (2014)
O 48. (tie) 雕刻时光 Sculpting in Time: The Great Russian Filmmaker Discusses His Art, by Andrey Tarkovsky (1987)
O 50. This Is Orson Welles, by Peter Bogdanovich & Orson Welles, edited by Jonathan Rosenbaum
O 51. (tie) Cinema Speculation, by Quentin Tarantino (2022)
O 51. (tie) The Citizen Kane Book, by Pauline Kael (1971)
O 51. (tie) 天才的阴暗面 : 希区柯克的一生 The Dark Side of Genius: The Life of Alfred Hitchcock, by Donald Spoto (1983)
O 51. (tie) The Devil Finds Work, by James Baldwin (1976)
O 51. (tie) 从卡里加利到希特勒 From Caligari to Hitler: A Psychological History of the German Film, by Siegfried Kracauer (1947)
O 51. (tie) Notes: The Making of Apocalypse Now, by Eleanor Coppola (1979)
O 57. (tie) Godard on Godard, by Jean-Luc Godard, edited by Tom Milne (1972)
O 57. (tie) The Studio, by John Gregory Dunne (1969)
O 59. (tie) The Last Mogul: Lew Wasserman, MCA and the Hidden History of Hollywood, by Dennis McDougal (1998)
O 59. (tie) 我的最后叹息 My Last Sigh, by Luis Buñuel (1983)
O 61. (tie) 卓别林自传 My Autobiography, by Charlie Chaplin (1964)
O 61. (tie) 蛤蟆的油 Something Like an Autobiography, by Akira Kurosawa (1983)
O 61. (tie) Without Lying Down Frances Marion and the Powerful Women of Early Hollywood, by Cari Beauchamp (1997)
O 64. (tie) 伟大的电影 The Great Movies, The Great Movies II, The Great Movies III and The Great Movies IV, by Roger Ebert (2003, 2006, 2011 and 2016)
O 64. (tie) 故事的解剖 Story: Substance, Structure, Style and the Principles of Screenwriting, by Robert McKee (1997)
O 66. (tie) Film Form and the Film Sense, by Sergei Eisenstein (1959)
O 66. (tie) Shock Value: A Tasteful Book About Bad Taste, by John Waters (1981)
O 66. (tie) Spike, Mike, Slackers and Dykes: A Guided Tour Across a Decade of Independent American Cinema, by John Pierson (1996)
O 69. (tie) 85 Years of the Oscar: The Official History of the Academy Awards, by Robert Osborne (2013)
O 69. (tie) 5001 Nights at the Movies, by Pauline Kael (1982)
O 69. (tie) George Hurrell’s Hollywood: Glamour Portraits, 1925-1992, by Mark A. Vieira (2013)
O 72. (tie) A Life in Movies, by Michael Powell (1987)
O 72. (tie) Mommie Dearest, by Christina Crawford (1978)
O 72. (tie) Rebel Without a Crew: Or How a 23-YearOld Filmmaker With $7,000 Became a Hollywood Player, by Robert Rodriguez (1995)
O 72. (tie) 斯科塞斯论斯科塞斯 Scorsese on Scorsese, by Ian Christie & David Thompson (1989)
O 76. (tie) Hawks on Hawks, by Joseph McBride (1982)
O 76. (tie) Hollywood: The Oral History, by Jeanine Basinger & Sam Wasson (2022)
O 76. (tie) Montgomery Clift: A Biography, by Patricia Bosworth (1978)
O 76. (tie) 与奥逊·威尔斯共进午餐 My Lunches With Orson: Conversations Between Henry Jaglom and Orson Welles, edited by Peter Biskind (2013)
O 76. (tie) Powerhouse: The Untold Story of Hollywood’s Creative Artists Agency, by James Andrew Miller (2016)
O 76. (tie) Spike Lee’s Gotta Have It: Inside Guerrilla Filmmaking, by Spike Lee (1987)
O 76. (tie) 纯真告别 Valley of the Dolls, by Jacqueline Susann (1966)
O 83. (tie) By Myself, by Lauren Bacall (1978)
O 83. (tie) Conversations With the Great Moviemakers of Hollywood’s Golden Age at the American Film Institute and Conversations at the American Film Institute With the Great Moviemakers: The Next Generation, by George Stevens Jr. (2006 & 2012)
O 83. (tie) 剪辑之道 The Conversations: Walter Murch and the Art of Editing Film, by Michael Ondaatje (2002)
O 83. (tie) The Making of The Wizard of Oz, by Aljean Harmetz (1977)
O 83. (tie) The Star Machine, by Jeanine Basinger (2007)
O 88. (tie) Cassavetes on Cassavetes, by Ray Carney (2001)
O 88. (tie) 捕杀 : 保护猎艳者的谎言、监视与阴谋 Catch and Kill: Lies, Spies and a Conspiracy to Protect Predators, by Ronan Farrow (2019)
O 88. (tie) Dark City: The Lost World of Film Noir, by Eddie Muller (1998)
O 88. (tie) David O. Selznick’s Hollywood, by Ron Haver (1980)
O 88. (tie) The Friedkin Connection: A Memoir, by William Friedkin (2013)
O 88. (tie) A Killer Life: How an Independent Film Producer Survives Deals and Disasters in Hollywood and Beyond, by Christine Vachon, with Austin Bunn (2006)
O 88. (tie) The Moon’s a Balloon, by David Niven (1971)
O 88. (tie) Negative Space: Manny Farber on the Movies, by Manny Farber (1971)
O 88. (tie) 迪士尼传 Walt Disney: The Triumph of the American Imagination, by Neal Gabler (2006)
O 88. (tie) Wishful Drinking, by Carrie Fisher (2008)
O 98. (tie) Film as a Subversive Art, by Amos Vogel (1974)
O 98. (tie) Haywire: A Memoir, by Brooke Hayward (1977)
O 98. (tie) Transcendental Style in Film: Ozu, Bresson, Dreyer, by Paul Schrader (1972)
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