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Matthew Wong (b. 1984, Toronto, Canada; d. 2019, Edmonton, Canada) was a self-taught Canadian painter.
2022-06-16 09:51:16 更新
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对一切随手可得、可弃的事物保有戒心。
他现在太火了，二级市场又加了一把柴
They weigh nagging questions. Was there any way they could have intervened? Were his vulnerabilities somehow overlooked? “You kind of sa...
Imagine reading a novel Where instead of looking at the words Your gaze was fixed on the spaces Between them. When you get to the end, ...
That May, he told Claire Colette, a painter in Los Angeles, that he had written a poem for the first time in three or four years. Titled ...
On June 30th, Wong sent Dugan an image of an ambitious new canvas that, he said, would be his sole contribution to Karma’s booth at Frie...
He had visited artists’ studios, and gone to museums where he could study masterworks with his nose inches from the canvas. The pieces t...
He invited Wong to include two of his paintings. One featured a naked man, possibly Narcissus, gazing into a pond; the other portrayed a ...
The alternating currents of insecurity and confidence became a propulsive force in Wong’s creative life.
“Faces jump out at me everywhere . . . shadows of branches on a night street, selectively lit by lamps, eyes, mouths, pa- tina on walls....
他现在太火了，二级市场又加了一把柴
They weigh nagging questions. Was there any way they could have intervened? Were his vulnerabilities somehow overlooked? “You kind of sa...
Imagine reading a novel Where instead of looking at the words Your gaze was fixed on the spaces Between them. When you get to the end, ...
That May, he told Claire Colette, a painter in Los Angeles, that he had written a poem for the first time in three or four years. Titled ...
On June 30th, Wong sent Dugan an image of an ambitious new canvas that, he said, would be his sole contribution to Karma’s booth at Frie...
He had visited artists’ studios, and gone to museums where he could study masterworks with his nose inches from the canvas. The pieces t...
He invited Wong to include two of his paintings. One featured a naked man, possibly Narcissus, gazing into a pond; the other portrayed a ...
The alternating currents of insecurity and confidence became a propulsive force in Wong’s creative life.
“Faces jump out at me everywhere . . . shadows of branches on a night street, selectively lit by lamps, eyes, mouths, pa- tina on walls....