后福特工厂

后福特工厂 post-fordism is characterized by the following attribute ·small-batch production ·specialized products and jobs ·new information and technologics ·emphasis on types of consumers in contrast to previous emphasis social class ·the rise of service and the white-collar worker ·the feminization of the work force industrial buildings+ post-fordism program 现代主义的建筑形式依旧具备着某种潜能，即揭示一种未来生活的文明典范。我们将798在消费社会背景下所产生的这一“内部爆炸了的生产”与超现实情境用重画建筑图像的方式展现出来。作为后福特文化工业的未来景观，这里有：重组后的新工人住宅和集体的社会空间，360创意联合办公，智能集散化的立体停车场（基础设施），共享单车社区，中小型媒体工厂，工业遗迹的奇观改造，在巨罐里面的巨型秀场…另外，位于画面正中心的是著名的尤伦斯当代艺术中心，汇集了画廊（市场）-投资（资本）-收藏（博物馆机构）-展览（当代艺术活动）等一系列机构的象征和交易的物流，而这里，物流具体表现为这一浮动-闪烁的灰色集群——大众的活动，借此我们来回应这样的一个展览主题：移动性城市。 Modernist architectural form still has the potential that reveal a kind of civilized paradigm of future life. We redraw these images in order to represent the hyper-reality situation and explored production in the background of consumer society in 798, which as the future spectacle of post-fordism cultural industry. In these views there are edited images of new working class housing and collective social space reorganized，creative company 360 and the co-working space, the assemblage infrastructure of modern car building，sharing bicycle community，the small and medium-sized media factory，the reconstructed spectacle of industrial sites，and giant show in industrial jar…which is the fact has happened in 798. Besides, there is the famous landmark UCCA(ullens center for contemporary art) in the center, where collected a serious of symbolic institution and tradable logistics of gallery(market) -investors(capital) -collection(museum) -exhibition(contemporary art action). We can response such a subject of our exhibition “Mobility City” that the logistics in our consumer society and post-fordism industry embodied the mass activity, which is the grey cluster of the floating and aglisten bodies(by Lacan).