The Help
The Help is set in the early 1960s in Jackson, Mississippi, and told primarily from the first-person perspectives of three women: Aibileen, Minny, and Skeeter. Aibileen is an African-American maid who cleans houses and cares for the young children of various white families. Her first job since her own 24-year-old son died from an accident on his job is tending the Leefolt household and caring for their toddler, Mae Mobley. Minny is Aibileen's confrontational friend who frequently tells her employers what she thinks of them, resulting in having being fired from nineteen jobs. Minny's most recent employer was Mrs. Walters, mother of Hilly Holbrook. Hilly is the social leader of the community, and head of the Junior League. She is the nemesis of all three main characters.
Eugenia "Skeeter" Phelan is the daughter of a prominent white family whose cotton farm employs many African-Americans in the fields, as well as in the household. Skeeter has just finished college and comes home with dreams of becoming a writer. Her mother's dream is for Skeeter to get married. Skeeter frequently wonders about the sudden disappearance of Constantine, the maid who raised her. She had been writing to Skeeter while she was away at college and her last letter promised a surprise upon her homecoming. Skeeter's family tells her that Constantine abruptly quit, then went to live with relatives in Chicago. Skeeter does not believe that Constantine would just leave and continually pursues anyone she thinks has information about her to come forth, but no one will discuss the former maid.
The life that Constantine led while being the help to the Phelan family leads Skeeter to the realization that her friends' maids are treated very differently from how the white employers are treated. She decides (with the assistance of a publisher) that she wants to reveal the truth about being a colored maid in Mississippi. Skeeter struggles to communicate with the maids and gain their trust. The dangers of undertaking writing a book about African-Americans speaking out in the South during the early '60s hover constantly over the three women.
Racial issues of overcoming long-standing barriers in customs and laws are experienced by all of the characters. The lives and morals of Southern socialites are also explored.
Eugenia "Skeeter" Phelan is the daughter of a prominent white family whose cotton farm employs many African-Americans in the fields, as well as in the household. Skeeter has just finished college and comes home with dreams of becoming a writer. Her mother's dream is for Skeeter to get married. Skeeter frequently wonders about the sudden disappearance of Constantine, the maid who raised her. She had been writing to Skeeter while she was away at college and her last letter promised a surprise upon her homecoming. Skeeter's family tells her that Constantine abruptly quit, then went to live with relatives in Chicago. Skeeter does not believe that Constantine would just leave and continually pursues anyone she thinks has information about her to come forth, but no one will discuss the former maid.
The life that Constantine led while being the help to the Phelan family leads Skeeter to the realization that her friends' maids are treated very differently from how the white employers are treated. She decides (with the assistance of a publisher) that she wants to reveal the truth about being a colored maid in Mississippi. Skeeter struggles to communicate with the maids and gain their trust. The dangers of undertaking writing a book about African-Americans speaking out in the South during the early '60s hover constantly over the three women.
Racial issues of overcoming long-standing barriers in customs and laws are experienced by all of the characters. The lives and morals of Southern socialites are also explored.
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