Leslie Cheung Tribute in L.A洛杉磯張國榮致敬影展

來源：中國哥迷網http://www.lesliecheung.com.cn/archive/other/view-263.html 張國榮致敬影展介绍 Leslie Cheung Tribute On April 1, 2003, the world lost one of its great movie stars; but virtually the entire Asian diaspora knows that we also lost one of our most exquisite pop singers, most seductive sex symbols, most potent gay icons and most beloved celebrities, for Leslie Cheung Kwok-Wing was (impossibly) all of these. While millions of eastern-hemisphere listeners were entranced by his angelic voice and provocative musical performances, here in the west Leslie was known as the gorgeous, charismatic star of the gay-themed arthouse classics Farewell, My Concubine and Happy Together. What may not be so well-known in English-speaking territories is that Leslie was a tremendously gifted actor whose range encompassed both gay and straight, drama and comedy, romance and action. For this tribute, we wanted to celebrate and share as many of Leslie Cheung's unique gifts as possible, and so we've assembled a program that will show Leslie the actor, Leslie the singer, and (via tributes from many of his contemporaries) Leslie the Person. The six films selected—one period fantasy, three comedies, and two contemporary dramas—comprise a period in Hong Kong cinema that extends from 1993 (Bride With White Hair) to 2002 (Inner Senses), thus illuminating not just Leslie's astonishing ability to give a brilliant performance in any genre, but also offering up a small capsule history of a decade of Hong Kong film, for Leslie was the region's most enduring celestial figure. Whether playing a gay lover adrift in Argentina, a comically-desperate filmmaker, a millionaire songwriter with some gender confusion issues, a naive but adoring young lover of a ghost, or a mature yet vulnerable psychiatrist, Leslie's seeming effortlessness and sheer radiance always delight. As a singer, Leslie was “Gor-gor,” or “older brother,” whose star appeal began with a 1976 television performance of “American Pie” and continued unabated up through 2000, when Leslie came out onstage, acknowledging his twenty-year relationship with his partner Daffy Tong. In a society often thought to be homophobic, Leslie’s status, if anything, only increased, proof of not just his talent but also his personal grace. Leslie the Person was adored by friends and fans alike, and his death left a cosmic void in the Hong Kong entertainment community. But our intent with this tribute is to dwell on Leslie’s life, not his death, and to share some of his remarkable achievements with an audience that may be new to “the Legend.” As his friend and frequent collaborator Tsui Hark said in memorium: “…all I can do right now is to reminisce, cherish, and treasure everything you’ve left behind.” We couldn’t have put it better, except perhaps to add—thank you, Gor-gor. 参考译文 LESLIE CHEUNG 张国荣致敬影展 2003年4月1日，世界失去了一位伟大的电影明星。实际上，全亚洲的人们都知道，我们同时失去了我们最完美的歌者，最诱人的性感象征，最有力的同志偶像，这一切令人不可置信地集于LESLIE一身。在东方，成百上千万听众为他那天使一样的歌声和魅惑的舞台演出而着迷；在西方，通过《霸王别姬》、《春光乍泄》等优秀作品，他作为一位灿烂的，具有超凡魅力的明星而为人们熟知。但是英语国家可能不太了解的是，LESLIE是一个具有杰出天才的演员，对同性恋和异性恋、喜剧片和悲剧片、文艺片和动作片等各种题材同样驾轻就熟。 通过这次致敬影展，我们希望能够尽可能全面地纪念并欣赏LESLIE那无可比拟的才华，因此我们编排了一个节目单，展示作为演员的LESLIE，作为歌者的LESLIE，并且，通过他所表演的现代作品，展示LESLIE的真实品性。所选择的六部作品——一部奇幻，三部悲剧，两部现代喜剧——涵盖着香港电影从1993年（《白发魔女传》）到2002年（《异度空间》）的发展历程，这不仅说明了LESLIE对于任何角色都能够给予卓越演绎的惊人能力，也提供了香港电影二十年的缩影，因为LESLIE是这个领域的最为杰出的天神一般的人物，无论是漂泊在阿根廷的同志情人，还是具有喜剧色彩的困境中的电影人，还是抱有性别困惑的金牌音乐人，还是天真而又可爱的迷恋女鬼的少年，还是成熟而又敏感的心理学家，LESLIE那熟练而又精准的表演都同样赏心悦目。 作为一个歌者，LESLIE被尊为“哥哥”，他的星途从1976年电视比赛中一曲《AMERICAN PIE》开始，一直延续到2000年仍未褪色，尽管他在舞台上公开承认了他与DAFFY TONG二十年的伴侣关系。在一个对同性恋大有看法的社会，LESLIE的声名地位一直是只升不降，这不仅仅是由于他的才华，也是由于他的人格魅力。 LESLIE的为人品性始终得到他的朋友们和FANS的尊重和喜爱，他的离世在香港演艺界留下了一个无法弥补的空白。 但是我们这次影展的意图，是关注和评述他的一生，而不是他的离世。我们也希望以此与那些不太熟悉这位“传奇”的观众们共同分享他的非凡作品。他的一位朋友和多次合作者徐克在回忆文章中写道：“我现在所能做的是回忆，是怀念，是珍藏你所留给我们的一切，”我们无法说得更多更好，除了，也许，可以加上一句：“谢谢你，哥哥。” 致敬影展张国荣生平简介 Leslie Cheung Kwok-Wing was born in Hong Kong on September 12, 1956; the youngest of ten children, his father was a successful tailor—and a largely unsuccessful father, as Leslie later recalled being a lonely and emotionally-neglected child. After receiving his education in both Hong Kong and Britain, Leslie went on to major in Textiles at Leeds University, but was called back to Hong Kong only a year later when his father became ill. Although his father hoped the young Leslie would take over the family business, Leslie’s destiny was changed forever when his performance of Don McLean’s “American Pie” earned him second place in the 1977 RTV Asian Song Contest. A year later the photogenic Leslie starred in his first movie—Erotic Dream of Red Chamber—and for the next four years he honed his acting skills in RTV television series. He returned to the big screen in 1982, appearing in films for both the venerable Shaw Brothers and Hong Kong’s “New Wave” filmmakers; his performance in Patrick Tam’s Nomad as a drifting, uncertain young man earned him his first of eight nominations for Best Actor in the Hong Kong Film Awards. After releasing four CD’s, his 1984 song “Monica” (from the CD of the same name) won nearly every major Hong Kong music award, and his 1985 series of concerts established him as Asia’s biggest pop star. Leslie followed that success with his performance in 1986’s A Better Tomorrow (directed by John Woo and produced by Tsui Hark), which not only became Hong Kong’s biggest film of the year, but also marked the Hong Kong film industry’s emergence into global cinema. A year later Leslie received his second Best Actor nomination for A Better Tomorrow 2, and also starred for producer Tsui Hark in A Chinese Ghost Story, which became a worldwide hit. After again winning all of the major music awards in 1987 for his song “No Mood to Sleep”, Leslie starred in Stanley Kwan’s 1988 arthouse hit Rouge, and also became the first Asian star signed to represent Pepsi Cola. In 1989, Leslie was voted number one in Commercial Radio’s “Top Ten Most Beautiful People in Hong Kong,” and he shocked his fans when he revealed that he wanted to retire from music to concentrate on acting. His decision seemed to pay off, since in 1990 he won Best Actor for his performance as the sensual womanizer Yuddy in Wong Kar-Wai’s Days of Being Wild, and in 1993 he starred in Chen Kaige’s universally-acclaimed Farewell My Concubine, which earned an Academy Award nomination for Best Foreign Film and set a new standard for gay-themed films. As if to boldly demonstrate his diversity, that same year Leslie played a swaggering swordsman and lover to Brigitte Lin’s title character in Ronny Yu’s exquisite period fantasy The Bride With White Hair, and received a Hong Kong Film Awards Best Original Song nomination for “Hung Ngaan Baak Faat” (“Red Face White Hair”), which he not only performed but also wrote the music for. In 1994 Leslie was named Best Actor by the Hong Kong Film Critics Society, for his performances in Wong Kar-wai’s Ashes of Time, as well as He’s a Woman, She’s a Man, It’s a Wonderful Life and Long and Winding Road. 1995 and ‘96 saw Leslie give two of his funniest performances, first in Tsui Hark’s The Chinese Feast and then in Derek Yee’s Viva Erotica; 1995 also saw Leslie’s return to music, as he released four CD’s that year alone. As Hong Kong was being handed over from Britain to China in 1997, Leslie played a petulant gay lover adrift in Buenos Aires in Wong Kar-Wai’s Happy Together, garnering Best Actor nominations from both the Hong Kong Film Awards and Taiwan’s Golden Horse Awards, and in 2000 he cemented his status as Hong Kong’s preeminent gay icon when he dedicated a song during one of his concerts to his longtime partner Daffy Tong. As the Hong Kong film industry experienced a slump in the early 2000’s, Leslie seemed to focus more on music, although his performances as a gun-obsessed psychotic in Double Tap and a troubled psychiatrist in Inner Senses garnered him more Best Actor nominations. On April 1, 2003, Leslie shocked his legions of fans by leaping from a 24th-floor balcony of a luxury hotel in downtown Hong Kong, leaving only a note that cited “depression.” His funeral services were attended by roughly 10,000 fans, and his passing was mourned by virtually every member of Hong Kong’s entertainment community (where he was known simply as “Gor-gor,” or older brother). As director Chen Kaige wrote in memorium, “Leslie was a rare flower in Hong Kong’s entertainment world, which only blossoms once in a century.” 参考译文 张国荣（Leslie Cheung）于1956年9月12日生于香港，是家里十个孩子中最小的一个。他的父亲是一个成功的制衣商，却是一个极不成功的父亲，以至于Leslie 日后回忆自己是一个孤独寂寞，情感上被忽视的孩子。Leslie先后在香港和英国接受了教育，并且考入英国里兹大学修读纺织专业，但是一年后因为父亲病重被召回香港。虽然父亲期望年轻的Leslie继承家族生意，但是在1977年丽的电视台举行的亚洲歌唱大赛上，Leslie以一曲Don Mclean的《American Pie》夺得亚军，从此改变了一生命运。一年后，形象出众的Leslie出演了他的第一部电影《红楼春上春》，随后四年里在丽的电视台的电视剧集里磨练了他的演技。 1982年，Leslie重回大银幕，在传统的邵氏电影和香港新浪潮电影中都有演出。在谭家明导演的电影《烈火青春》中，他成功地扮演了一位漂泊无助的年轻人，赢得了香港电影金像奖最佳男主角提名，这是他八次提名金像奖影帝中的第一次。1984年，他出品的第五张专辑唱片《Monica》中的主打歌曲《Monica》获得了香港音乐界几乎全部大奖，1985年的一系列个人演唱会更是确立了他作为亚洲首席歌星的地位。 1986年，Leslie出演电影《英雄本色》，再续成功之路。这部电影由吴宇森导演，徐克监制，不仅是当年香港最佳电影，也标志着香港电影事业冲上世界银幕。一年后，Leslie以《英雄本色II》中的精彩表演赢得了第二个香港电影金像奖最佳男主角提名，同年演出的徐克作品《倩女幽魂》，也轰动全球影圈。随后，Leslie的一曲《无心睡眠》包揽香港音乐界所有最高荣誉，在关锦鹏作品《胭脂扣》中的表演再一次获得金像奖最佳男主角提名，并受邀成为百事可乐的首位亚洲代言人。 1989年，Leslie在香港商业电台“十大靓人”选举中名列第一。同年，他做出了令歌迷们震惊的决定：退出乐坛，专注电影事业。他的决定似乎得到了回报，1990年，他在王家卫作品《阿飞正传》中扮演的对女人有致命诱惑的雅皮士为他赢来了香港电影金像奖最佳男主角奖。1993年，他出演陈凯歌作品《霸王别姬》，这部电影在全世界受到广泛好评，获得美国奥斯卡金像奖最佳外语片提名和法国戛纳电影节金棕榈奖，他扮演的痴迷于事业和爱情的艺术家也获得了戛纳电影节最佳男主角提名。同年，他扮演的另一个迥然不同的角色证明了他演技的全面性和多样性，那是于仁泰作品《白发魔女传》中一位狂放的剑侠，与林青霞扮演的女主角陷入苦恋，他亲自作曲并演唱的主题曲《红颜白发》获得了台湾电影金马奖最佳原创歌曲奖。1994年，Leslie以在王家卫作品《东邪西毒》中的演出获得香港电影评论协会最佳男演员奖，同年在《金枝玉叶》中的演出获得香港电影金像奖最佳男主角提名。1995年和1996年，Leslie献出了两次精彩的喜剧表演，一个是徐克作品《金玉满堂》，一个是尔东升作品《色情男女》，后者再一次获得香港电影金像奖最佳男主角提名。1995年也是 Leslie重返歌坛的一年，他在那一年里出品了四张专辑唱片。1997年，当香港回归中国大陆之际，Leslie在王家卫作品《春光乍泄》中扮演了一位漂泊在阿根廷的任性的同志情人，兼获香港电影金像奖和台湾电影金马奖两个最佳男主角提名。二十一世纪初，当香港电影陷入低潮之际，Leslie似乎更多地致力于发展音乐事业，成功举行了上百场世界巡回演唱会，但是他在《枪王》中扮演的痴迷枪技的精神病人和《异度空间》中烦恼缠身的心理医生又为他赢来三项最佳男主角提名。 令所有爱他的人们震惊的是，2003年4月1日，Leslie从香港市区中心的高级酒店文华酒店二十四楼阳台一跃而下，只留下了一张写着 “Depression”（抑郁）等词句的便条。他的葬礼有数万名香港公众参加，他的离世也使香港演艺界每个成员都陷于深深的哀悼之中。正如陈凯歌在回忆文章中形容的那样：“Leslie是香港演艺界百年一放的奇花。” 的灰购票记（REGENT SHOWCASE THEATER影院） 今天花了一个上午的时间在网上查地图。可怜我来到洛杉矶五个月了，从未单独出过门，因为平日上学的车是五个同学共用的，洛杉矶的公共交通又极不方便。这回买票加上看电影一共需要车子送我往好莱坞跑五次，往返一个半小时，实在开不了口。打电话问旅行社，对方说可以出车接送，“七十美元就好”，靠。 下午夹着一大包地图准备上路的时候，正逢有同学去市中心，于是顺便送了我去好莱坞。我就奇怪了，几个月来遇到什么困难都能逢凶化吉，起死回生，许下的愿望都能实现，没许下的能送上门来。其实这次影展的六部电影我当然都看过多次，如果是以前放映，我也不见得在百忙之中千里迢迢劳民伤财这么麻烦地去看它们，但是前一阵子看到林超荣评述他的演技，说他是只适合在大银幕上看的人，小荧屏装不下他，这句话令我如遭雷殛——长久以来不是不清楚大银幕的冲击力，不是不清楚在影院看电影和在家里看影碟的本质区别，但是没有想过一件事，就是随着时间的推移，在大银幕上看见他的机会越来越少，很可能已经就此没有了。这种损失，和失去他一样，无法弥补，前几天我对ALICE说，难道四月七日那天蝶衣的微笑，就是我们在大银幕上见他的最后一眼？ 我仍然要叩谢I-CASTING，让我没有错过这次机会。或者我也应该加多叩谢哥哥，我想他是听到了我的话。 REGENT SHOWCASE THEATER影院非常好找，在好莱坞西边一条大街的十字路口旁，一拐弯迎头狠狠撞痛我眼睛的是楼顶上的大幅广告：“LESLIE CHEUNG TRIBUTE”，上面停了一排鸽子，悠闲地摆着头，背后是苍凉的异乡的天空。影院的门面不大，进门就是售票处，售票员殷勤地上来问候，我完全听而不闻，死死盯住台子上摆的宣传单，那个穿着橙色皮装的身影，那张削瘦的，落寞的，熟悉得不能再熟悉的面孔。 这次影展是六部电影：第一天放映《金枝玉叶》、《金玉满堂》和《异度空间》，第二天放映《白发魔女传》、《春光乍泄》和《色情男女》。这六部电影是否能够代表哥哥的真正水准那是见仁见智，不过片子的选择和安排确实很有诚意，阳刚和阴柔，喜剧和悲剧，文艺片和动作片交错开来，象介绍中说的，充分展示他多种层面的演技。我不知道有多少人会象我一样一古脑都看完，我相信对从来没看过他的电影的人来说，连续这样看下来的效果是可怕的，熟习如我，都一直在惊叹这几个角色居然都出自同一个人。 售票员对我的空前热情非常诧异，他说现在还没开始卖影展的票呢，让我当天再来买。我说：到时候没票了怎么办？他愣了愣：应该不会吧。我问：你们这里多少座位？回答：将近九百。——那确实不大可能卖到断票，不过我不能冒这个险，不把票子攥在手里，我这两周没法过得安心。于是这位售票员找来了影院的经理，为我这位忠实观众提前订出一套票子——resuridaisuki，很感谢你的提示，可我试过了，对方惘然不知，可能是我说得不清楚吧。不过后来我的同学说拿学生证也应该可以打折，但是我当时根本想不到这些，我血脉贲张地交钱拿票就跑了，临走时卷走了柜台上一大叠宣传单和宣传卡……嫌他们宣传力度不够，准备明天到学校广告栏里去散发。 晚上和同学一起去看NBA篮球赛，休斯顿火箭队对洛杉矶快船队，一坐下来我就拿出那叠宣传卡仔细端详：印刷还真是精美，和海报上的图片相似，前景是仗剑的欧阳峰，背景是热情中的金装长发LOOK，极其性感的姿态。这时候比赛开始了，姚明在欢呼声中出场，接二连三地进球得分，我捻着这张宣传卡，请哥哥一起观赏。没见过哥哥打篮球，不过老唐是篮球队队长来着，哥哥也不会差太多吧？当然如果要是羽毛球赛就更好了。这个体育馆的面积应该和红墈相仿，观众大约也是一万四千人左右，我反复地走神，幻想着下方的篮球场地变为舞台，上空垂下轻纱的帐幕…… 走出体育馆已经是十一点钟，一抬头看见门口的巨型屏幕正播出一行熟悉的英文：“CAESARS PALACE”，那字体化成灰我都不会认错，然后，赫然出现深情弹唱的ELTON JOHN。埃尔顿庄，明年三月，拉斯韦加斯凯撒皇宫，个人演唱会。哥哥，快去托梦给他，请他唱《SORRY IS THE HARDEST WORD》，唱《YOUR SONG》……明年我一定会陪你去看，我知道你喜欢。 《洛杉矶时报》12月3日报道 Premiere caps Leslie Cheung tribute The Hong Kong star\'s last film, \"Inner Senses,\" has its L.A. debut as part of a retrospective. By Kevin Thomas, Times Staff Writer In his final film, \"Inner Senses,\" Leslie Cheung, who leaped to his death in April from the 24th floor of Hong Kong\'s Mandarin Oriental Hotel, plays an empathetic, workaholic psychiatrist who cures a young woman of her demons only to become overcome by his own once they begin an affair. The psychiatrist\'s repressed torment brings him to the very brink that in real life the Hong Kong film star did not step back from. Cheung, who left a note explaining that he was plagued by emotional problems, had also recently broken up with his longtime companion. \"Inner Senses,\" directed by Law Chi-Leung, which boasts one of Cheung\'s most intense portrayals, will receive its Los Angeles premiere Saturday at 8 p.m. as part of Regent Showcase\'s Leslie Cheung Tribute. Cheung, who onstage was an electrifying, gender-bending pop star, came to international fame a decade ago in Chen Kaige\'s \"Farewell My Concubine,\" playing a gay opera star whose 52-year unrequited love for a fellow performer ends in suicide. Openly gay by the time of his death at age 46, Cheung was a boyishly handsome actor of remarkable range and versatility. Off-screen, he was a gracious, relaxed charmer who spoke fluent English with a British accent — he studied textile design at the University of Leeds. The retrospective begins Saturday with Peter Chan Ho-San\'s scintillating comedy \"He\'s a Woman, She\'s a Man\" (1994), in which Cheung\'s top-flight talent manager finds himself attracted to a singing-contest winner who has disguised herself as a man. Tsui Hark\'s lively 1995 comedy \"The Chinese Feast\" cast Cheung as a con man engaged in a cooking competition with the panache of a martial artist. A reception and a tribute program precede \"Inner Senses.\" Sunday\'s lineup begins with Ronny Yu\'s \"The Bride With White Hair\" (1993), an exquisite \"Romeo and Juliet\" romantic martial arts tragedy. Wong Kar-Wai\'s wrenching, jagged 1997 film \"Happy Together\" teams Cheung and Tony Leung Chiu-Wai as tempestuous lovers adrift in Buenos Aires. Derek Yee Tung-Sing\'s light-hearted 1996 comedy \"Viva Erotica,\" which closes the retrospective, finds Cheung playing an out-of-work director who seizes a chance at a comeback by making a soft-core porn film. * Leslie Cheung Tribute Where: Regent Showcase Theater, 614 N. La Brea Ave. When: Saturday, 1 p.m.: \"He\'s a Woman, She\'s a Man\" (1994) Saturday, 3:30 p.m.: \"The Chinese Feast\" (1995) Saturday, 6:30 p.m.: Reception Saturday, 7 p.m.: Tribute, featuring video selections and guest speakers Saturday, 8 p.m.: \"Inner Senses\" (2002). Also screens Monday, Dec. 10 and 11, 5:30 and 10:15 p.m. Sunday, 12:30 p.m.: \"The Bride With White Hair\" (1993) Sunday, 3 p.m.: \"Happy Together\" (1997) Sunday, 6 p.m.: \"Viva Erotica\" (1996) Contact: (323) 934-2944 or http://www.asianfilm.org 参考译文 张国荣致敬影展暨电影首映式 ——香港之星的最后一部电影《异度空间》，将作为回顾影展的一部分在洛杉矶首映 作者：《洛杉矶时报》记者 Kevin Thomas 今年四月一日从香港文华酒店二十四楼坠楼身亡的张国荣，在他的最后一部电影《异度空间》中扮演一位痴迷于工作的心理医生。这位医生治愈了一位受心魔困扰的年轻女人，却在与她交往的过程中被自己的心魔所控制，所遭受的抑郁和痛苦将他带到了危楼边缘。他的扮演者，生活中的香港电影明星面临了同样的处境，而且没有机会退后。张国荣留下了一张便条，表明自己饱受情绪问题折磨，这样的离去使他交往多年的同伴们也陷入了难过之中。这部由罗志良导演，展现了张国荣最为强烈和深入的心理戏表演的电影《异度空间》将于本周六下午八点作为张国荣致敬影展的一部分在摄政王影院首映。 张国荣是一位在舞台上魅力惊人的流行文化巨星，十年前以陈凯歌导演的电影《霸王别姬》扬名国际，在那部电影里他扮演一位京剧艺术家，单恋合作伙伴五十二年，最后以自杀结束生命。张国荣本人是一位公开了性取向的同性恋艺人，去世时四十六岁，相貌仍如男孩一般年轻英俊，演技超凡，戏路宽广而且多样化。银幕之下，他是一位亲切、随和的人，充满魅力，讲得一口英国口音的流利英语——他曾在英国里兹大学攻读纺织设计。 回顾影展将以本周六上映的精彩喜剧《金枝玉叶》开幕。这部电影出品于1994年，导演陈可辛，片中张国荣扮演一位极具天才的音乐制作人，发现自己爱上了歌唱比赛中的优胜者，一位乔装成男人的女人。喜剧《金玉满堂》出品于1995年，导演徐克，张国荣扮演一位活泼的青年，与一位耀武扬威的大厨展开厨艺竞赛。接下来安排了一个招待会和赠礼节目，然后放映《异度空间》。 本周日的映期以1993年出品的于仁泰作品《白发魔女传》开始，这是一部《罗密欧与朱丽叶》式的优美细腻的悲剧，也是一部浪漫武侠片。电影《春光乍泄》出品于1997年，王家卫导演，气氛忧伤、毫无矫饰，张国荣和梁朝伟在其中扮演一对漂泊在阿根廷的狂热恋人。影展以轻喜剧《色情男女》闭幕，这部电影出品于1996年，导演尔东升，张国荣扮演一位失业导演，抓住一个拍戏的机会却是拍摄色情电影。 影展放映时间表 周六下午1：00——《金枝玉叶》 周六下午3：30——《金玉满堂》 周六下午6：30——招待会 周六下午7：00——赠礼，放映录像剪辑，嘉宾讲座 周六下午8：00——《异度空间》（其它映期：12月10日与11日，下午5：30与10：15） 周日上午12：30——《白发魔女传》 周日下午3：00——《春光乍泄》 周日下午6：00——《色情男女》