London film school伦敦电影学院Filmmaking阅读书单

Filmmaking一共6个学期。每个学期老师们都列了电影理论/导演/摄影/美术/声音/剪辑的推荐书单。

有一些有中文版，有一些没有。不用全都看完，选一些感兴趣的就好。每个学期末写学术日志的时候，要提到3本书左右的内容。

第一&第二学期

Module 1 reading List

Austen, Sue.Producing for Film and Television. The Crowood Press Ltd, 2019. Print

Bazin, André.What Is Cinema?Berkeley: U of California, 2005. Print.

Bordwell, David, Janet Staiger, and Kristin Thompson.The Classical Hollywood Cinema: Film Style & Mode of Production to1960. London: Routledge,1996. Print.

Bowen, Christopher J., and Roy Thompson.Grammar of the Edit. Abingdon: Focal, 2013. Print.

Bresson, Robert.Notes On The Cinematograph. New York: New York Review Books; Main edition. Print.

Brown, Blain.Cinematography: Theory and Practice. Waltham, MA: Focal P., 2012. Print.

Egri, Lajos.The Art of Dramatic Writing. New YorK: Touchstone; Newly Rev. Ed edition. Print.

Grimas, Jonas.The Film Director Prepares. London: Jonas Grimas. 2016

Mascelli, Joseph V.The Five C's of Cinematography. Los Angeles, CA: Silman-James,1998. Print.

MacKendrick, Alexander.On Filmmaking. London: Faber & Faber; Main edition, 2006. Print

Rumsey, Francis, and Tim McCormick.Sound and Recording. Oxford, UK: Focal, 2009. Print.

Sijll, Jennifer Van.Cinematic Storytelling: The100 Most Powerful Film Conventions Every Filmmaker Must Know. Studio City, CA: Michael Wiese Productions, 2005. Print.

Truffaut, Francois.Hitchcock Truffaut. London, Faber & Faber; Main edition. Print

Ward, Peter.Picture Composition for Film and Television. Oxford: Focal, 2003. Print.

第三学期

Term 3 DOCUMENTARY READING LIST

• Aufterheide, P. (2007) Documentary Film: A Very Short Introduction, Oxford University Press
• Austin, T. & de Jong, W. (2008) Rethinking Documentary: New Perspectives, New Practices, Open University Press
• Baker, M. (2006) Documentary in the Digital Age, Focal Press.
• Bruzzi, S. (2006) New Documentary: A Critical Introduction, Routledge
• Channan, M. (2007) Politics of Documentary, BFI
• Curran Bernard, S.(2004) Documentary Storytelling For Video and Filmmakers, Focal Press
• De Jong, Wilma, Eric Knudsen and Jerry Rothwell. (2011) Creative Documentary: Theory and Practice, Longman Pearson
• Fraser, Nick. (2019) Say What Happened, Faber & Faber Ltd
• Glynne, A. (2008) Documentaries … and How to Make Them, Kamera Books
• Lees, N. (2010) Greenlit; Developing Ideas from Concept to Pitch, Methuen
• Lee-Wright, P. (2010) The Documentary Handbook, Routledge
• Macdonald K & Cousins, M (1996) Imagining Reality, Faber and Faber
• Mc Lane, Betsy. (2012) A New History Of Documentary Film, Bloomsbury
• Nichols, B. (1991) Representing Reality, Indiana University Press
• Nicholls, B. Introduction to Documentary, (2001), Indiana University Press
• Quinn, J (2013) This Much Is True, Bloomsbury
• Rabiger, M. (1992) Directing the Documentary, Focal Press
• Renov, M. (1993) Theorizing Documentary, Routledge
• Waldman, D. & Walker, J. (1999) Feminism and Documentary, Univ of Minnesota
• Waugh, T. (2011) The Right To Play Oneself, Univ Of Minnesota Press
• Winston, B. (2000) Lies, Damn Lies and Documentaries, British Film Institute
• Winston, B. (2008) Claiming the Real: Documentary- Grierson and Beyond, Palgrave
• Winston, B, Vanstone, G, Chi, W. (2017) The Act Of Documenting, Bloombury

第四学期

TERM 4 READING LIST

• Abushwesha, Farah: Rocliffe Notes : A Professional Approach to Being a Writer: A Professional Approach to Screenwriting & Filmmaking (Creative Essentials)Paperback – 27 Nov. 2014
• Ettedgui, Peter - Production Design and Art Direction (Screencraft Series) Rotovision (2001)
• Hooks, Bell : Reel to Real: Race, class and sex at the movies (Routledge Classics)Paperback – 9 Jan. 2008
• Weston, Judith Directing Actors: Creating Memorable Performances for Film and Television. Michael Wiese Productions Ltd 1999
• Bergery, Benjamin, and Jasper Johal. Reflections: Twenty-one Cinematographers at Work. Hollywood, CA: ASC, (2002). Print.
• DeLouise, Amy : Nonfiction Sound and Story for Film and Video: A Practical Guide for Filmmakers Routledge (2019)
• Grierson, Tim. Screenwriting (Screencraft series). Lewes, UK: Ilex, 2013. Print.
• Hubris-Cherrier, Mick: Voice and Vision – A Creative Approach to Narrative Film - Focal Press (2011) print
• Malone, Alicia -The Female Gaze: Essential Movies Made by Women– Mango Media (2018)
• Mercado, Gustavo - The Filmmaker's Eye: Learning (and Breaking) the Rules of Cinematic Composition. (Routledge)2010
• Murch, Walter. In the Blink of an Eye: A Perspective on Film Editing. Los Angeles: Silman-James, 2001. Print.
• Rabiger, Michael, Mick Hurbis-Cherrier, and Gustavo Mercado. Directing: Film Techniques and Aesthetics. London: Routledge, 2020. Print
• Raskin, Richard. The Art of the Short Fiction Film: A Shot by Shot Study of Nine Modern Classics. Jefferson: McFarland &, 2005. Print.
• Rowlands, Avril – The Continuity Supervisor. Routledge 2000
• Vachon, Christine Shooting to kill: How an Independent Producer Blasts through the Barriers to make movies that matter – William Morrow Paperbacks. 1998
• Weston, Judith. The Film Director's Intuition: Script Analysis and Rehearsal Techniques. N.p.: Michael Wiese Productions, 2014. Print.
• Yorke, John ‘Into the Woods’ (2014) Penguin

第五&第六学期

Module 3 Reading List

Albrecht, Donald. Designing Dreams: Modern Architecture in the Movies. Santa Monica, CA: Hennessey Ingalls, 2000. Print.

Bellantoni, Patti. If It's Purple, Someone's Gonna Die: The Power of Color in Visual Storytelling for Film. New York: Focal, 2013. Print.

Biskind, Peter. Easy Riders, Raging Bulls: How the Sex-drugs-and-rock-'n'-roll Generation Saved Hollywood. New York, NY: Simon & Schuster, 1998. Print.

Boorman, John, and Walter Donohue. Projections 3: Film-makers on Film-making. London: Faber and Faber, 1994. Print.

Brown, Blain. Cinematography: Theory and Practice: Imagemaking for Cinematographers, Directors & Videographers. Amsterdam: Focal, 2002. Print.

Browne, Steven E. High Definition Postproduction: Editing and Delivering HD Video. Amsterdam: Elsevier Focal, 2007. Print.

Case, Dominic. Film Technology in Post Production. Oxford: Focal, 2001. Print.

Christie, Ian, and Philip Dodd. Spellbound: Art and Film:. London: Hayward Gallery, 1996. Print.

Christie, Ian. The Art of Film: John Box and Production Design. London: Wallflower, 2009. Print.

Clark, Barbara, and Susan J. Spohr. Guide to Postproduction for TV and Film: Managing the Process. Amsterdam: Focal, 2002. Print.

Clevé, Bastian. Film Production Management. Boston: Focal, 2000. Print.

Crittenden, Roger. Fine Cuts: The Art of European Film Editing. Amsterdam: Elsevier, 2006. Print.

Holman, Tomlinson. Sound for Film and Television. Boston, MA: Focal, 2002. Print.

Honthaner, Eve Light. The Complete Film Production Handbook. Burlington, MA: Focal, 2010. Print.

James, Jack. Digital Intermediates for Film and Video. Amsterdam: Elsevier, 2006. Print.

Katz, Steven D. Film Directing Shot by Shot: Visualizing from Concept to Screen. Studio City: Michael Wiese Productions, 2006. Print.

Koppelman, Charles. Behind the Seen: How Walter Murch Edited Cold Mountain Using Apple's Final Cut Pro and What This Means for Cinema. Berkeley, CA: New Riders, 2005. Print.

LoBrutto, Vincent. By Design: Interviews with Film Production Designers. Westport, CT: Praeger, 1992. Print.

Murch, Walter. In the Blink of an Eye: A Perspective on Film Editing. Los Angeles: Silman-James, 2001. Print.

Oldham, Gabriella, and Harrison Engle. First Cut Conversations with Film Editors. Berkeley (Calif.): U of California, 2012. Print.

Ondaatje, Michael. The Conversations: Walter Murch and the Art of Editing Film. New York: Alfred A. Knopf, 2011. Print.

Orpen, Valerie. Film Editing: The Art of the Expressive. London: Wallflower, 2003. Print.

Penz, Francois, and Maureen Thomas. Cinema and Architecture: From Historical to Digital. London: BFI (British Film Institute) Pub., 1997. Print.

Sklar, Robert. Movie-made America: A Cultural History of American Movies. New York: Vintage, 1994. Print.

Sound Design: The Expressive Power of Music, Voice, and Sound Effects in Cinema. København: Danmarks Designskole, 2009. Print.

Weis, Elisabeth, and John Belton. Film Sound: Theory and Practice. New York: Columbia UP, 1985. Print.

Wheeler, Paul. High Definition Cinematography. Amsterdam: Elsevier, Focal, 2009. Print.