Star Trek-TOS365：009-010
009
当电影工作人员开始着手预试妆时，Vina的角色还没有最后敲定。已经确认出演“Number One”的女演员Majel Barrett，扮成绿色的“猎户座奴隶女孩”来试妆，然后工作人员们就能看到，这个颜色出现在胶片里将会是怎样的。第二天，样本镜头就处理好了，工作人员们聚拢过来看结果。令他们惊讶的是，Barrett的皮肤一点也不绿，那看上去就是她的正常肤色。考虑到他们所使用的Eastman胶片不能区分绿色色度，工作人员进行了第二次测试，这回他们往女演员脸上涂抹了更深的绿色油彩。但第二天，测试结果是一个“粉红”的Barrett，大概只泛着那么一丝绿气儿。一通打到胶片处理工作室的抓狂电话解决了这个问题：工作室的技术员们还以为摄影师把相机设置错了……而他们已经“熬了一整夜试图纠正胶片的错误颜色”。
The role of Vina had not yet been cast when the film makers began conducting preproduction makeup tests.Actress Majel Barrett,already set to play Number One,offered to wear the green “Orion slave girl”make up for one test.So the producers could see how the color looked on film.The day after the sample footage had been shot,the producers gathered to view the results.To their surprise,Barrett’s Skin didn’t look at all green;it appeared to be her normal skin tone.Concerned that the Eastman film stock they were using couldn’t distinguish that particular shade of green,the filmmakers conducted the test again,this time smearing much darker green greasepaint onto the actress’s face.But the next day,once again the test came back with Barrett “in the pink”-with perhaps just a hint of a green tinge.A frantic call to the film-processing lab revealed the problem:Lab technicians had assumed the cinematographer got the camera setting wrong…and they had “stayed up all night trying to color-correct the film”.
010
依靠Talosian制造幻觉的力量，Vina可以瞬间由一种美丽的外表转变为另外一种。但在“转变”之前，女演员Susan Oliver却没有这样的运气。对她而言，这种改变要花费太长的时间——尤其是皮肤的颜色。Roddenberry在“鸟笼”的脚本中这样描摹猎户座女奴：“充满野性！绿色的肌肤，闪耀如涂抹油脂。”没人知道“涂抹油脂”这个词是多有先见之明。拍摄之前，化妆设计师Fred Phillips都会往Oliver身体上仔细地涂抹蜜丝佛陀混合色油彩——只要是没被那件暴露小戏服盖住的地方（裸露的皮肤实在比戏装多太多了）。然而，总有些区域的皮肤比其他地方更油腻，绿色的妆彩就很可能会出现污斑、结块，裂纹。有时候，补妆要和一开始上妆花费同样长的时间。最后，Phillips被分配了一个化妆助理，他唯一的任务就是做好一切准备，在摄像机停转时冲进来，赶在再次开拍之前帮Phillips给Oliver补完妆。
Vina could rely on the Talosians’powers of illusion to transform her instantly from one manifestation of beauty to another.Her alter ago,actress Susan Oliver,had no such luck;for her ,the transformations took much longer-particularly the changes in skin coulor.Roddenberry’s script to “The Cage”described the Orion slave girl as “Wild!Green skin,glistening as if oiled.”Little did anyone know how prophetic the word “oiled”would be.Prior to filming,makeup designer Fred Phillips would carefully slather a pigmented mixture of Max Factor greasepaint across the areas of Oliver’s body that weren’t covered by her skimpy costume (and there was far more skin than costume) .However,there are always some sections of skin that are oilier than others,and the green makeup had a tendency to blotch,cake and crack.At times,repairing the damage seemed to take as much time as applying the makeup had taken in the first place.Finally,Phillips was assigned a makeup assistant whose sole purpose was to be at the ready whenever the cameras stopped rolling-and then rush in to help Phillips touch up Oliver before filming started again.
___________________________
回老家，暂停。
当电影工作人员开始着手预试妆时，Vina的角色还没有最后敲定。已经确认出演“Number One”的女演员Majel Barrett，扮成绿色的“猎户座奴隶女孩”来试妆，然后工作人员们就能看到，这个颜色出现在胶片里将会是怎样的。第二天，样本镜头就处理好了，工作人员们聚拢过来看结果。令他们惊讶的是，Barrett的皮肤一点也不绿，那看上去就是她的正常肤色。考虑到他们所使用的Eastman胶片不能区分绿色色度，工作人员进行了第二次测试，这回他们往女演员脸上涂抹了更深的绿色油彩。但第二天，测试结果是一个“粉红”的Barrett，大概只泛着那么一丝绿气儿。一通打到胶片处理工作室的抓狂电话解决了这个问题：工作室的技术员们还以为摄影师把相机设置错了……而他们已经“熬了一整夜试图纠正胶片的错误颜色”。
 |
The role of Vina had not yet been cast when the film makers began conducting preproduction makeup tests.Actress Majel Barrett,already set to play Number One,offered to wear the green “Orion slave girl”make up for one test.So the producers could see how the color looked on film.The day after the sample footage had been shot,the producers gathered to view the results.To their surprise,Barrett’s Skin didn’t look at all green;it appeared to be her normal skin tone.Concerned that the Eastman film stock they were using couldn’t distinguish that particular shade of green,the filmmakers conducted the test again,this time smearing much darker green greasepaint onto the actress’s face.But the next day,once again the test came back with Barrett “in the pink”-with perhaps just a hint of a green tinge.A frantic call to the film-processing lab revealed the problem:Lab technicians had assumed the cinematographer got the camera setting wrong…and they had “stayed up all night trying to color-correct the film”.
010
依靠Talosian制造幻觉的力量，Vina可以瞬间由一种美丽的外表转变为另外一种。但在“转变”之前，女演员Susan Oliver却没有这样的运气。对她而言，这种改变要花费太长的时间——尤其是皮肤的颜色。Roddenberry在“鸟笼”的脚本中这样描摹猎户座女奴：“充满野性！绿色的肌肤，闪耀如涂抹油脂。”没人知道“涂抹油脂”这个词是多有先见之明。拍摄之前，化妆设计师Fred Phillips都会往Oliver身体上仔细地涂抹蜜丝佛陀混合色油彩——只要是没被那件暴露小戏服盖住的地方（裸露的皮肤实在比戏装多太多了）。然而，总有些区域的皮肤比其他地方更油腻，绿色的妆彩就很可能会出现污斑、结块，裂纹。有时候，补妆要和一开始上妆花费同样长的时间。最后，Phillips被分配了一个化妆助理，他唯一的任务就是做好一切准备，在摄像机停转时冲进来，赶在再次开拍之前帮Phillips给Oliver补完妆。
 |
Vina could rely on the Talosians’powers of illusion to transform her instantly from one manifestation of beauty to another.Her alter ago,actress Susan Oliver,had no such luck;for her ,the transformations took much longer-particularly the changes in skin coulor.Roddenberry’s script to “The Cage”described the Orion slave girl as “Wild!Green skin,glistening as if oiled.”Little did anyone know how prophetic the word “oiled”would be.Prior to filming,makeup designer Fred Phillips would carefully slather a pigmented mixture of Max Factor greasepaint across the areas of Oliver’s body that weren’t covered by her skimpy costume (and there was far more skin than costume) .However,there are always some sections of skin that are oilier than others,and the green makeup had a tendency to blotch,cake and crack.At times,repairing the damage seemed to take as much time as applying the makeup had taken in the first place.Finally,Phillips was assigned a makeup assistant whose sole purpose was to be at the ready whenever the cameras stopped rolling-and then rush in to help Phillips touch up Oliver before filming started again.
___________________________
回老家，暂停。
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