来自Musee D'Orsay 的notes

实在怕旅游的时候丢手机就先发到豆瓣上^_^ Neo-impression(mid-1880s): <this aesthetic trend was in contrast to the subjective approach of impressionism, restricted to expressing immediate sensations. Develop a technique using small separated dots of color. This "decomposition" enabled them to make color vibrate, by juxtaposing complementary shades, and to modulate colors to achieve a particular luminosity. Georgesd Seurat, paul signac. maximilien luce, Paul Gauguin: turned towards a symbolist and decorative style of art. He started to develop it in 1888 while in Brittany-in Pont-Aven and Le Pouldu. He moved away from an accurate reflection of nature, simplifying his composition and colours and abandoning modelling and traditional perspective. Emile bernard Vincent van Gogh: his discovery of painting of Monet, Renoir, Toulouse-Lautrec and Gauguin, was a catalyst for change his own art. The simplification in Japanese prints, the pointillism of Seurat and Signac, and Emile Bernard's Cloisonnism also contributed to the development of his style. Impressionism: <from its origins in 1860s to its continuing influence into the 20th century. in the 1870s, on the stations, dances, cafes of paris, as well as its suburbs, a palce for both leisure and industry. The artists preffered a style of painting that captured the moment, that conveyed a personal and subjective impression if a changing world. The brushwork is rapid and visible; the framing is often off-centre; the colors are light, seeking to capture the atmospheric effects outdoors in contrast to the precise, highly polished painting produced in the studio. > claude monet, camille pissarro. Claude monet: champs de tulipes en hollande. 1886. La gare saint-lazare La rue montorgueil, a paris, fete du 30 juin 1878. Zaandam, 1871. Coquelicots,1873z La pie 1868-1859 💓 Painting modern paris: Edgar Degas, pierre auguste renoir.Alfred sisley.