Funk music
“王凡曾经写过这样的歌词：10年前我是清真寺，10年后我是杂货铺。10年前，好不容易混到资讯金字塔上头的同行们，每到12月，都会在有限的几百个名字里评选“年度十大唱片”，有时候，还为了给Inxs或Fishbone找回公道而辩论。但现在不行了，翻开杂志，只有说唱金属的伙计们还在听一样的唱片，其他人的选择，交集越来越少，十大里面总有几个是你根本没听说过的。我们这些从打口时代过来的人，脉络模糊，胃口奇大，又兼患有资讯饥渴症，soulseek、eMule一开就是几天几夜，i-pod、随身听、网络电台，一个都不能少，饶是如此，也听不完九牛一毛。
因此选择变成了一种特殊的技能，甚至上升为美德。那些专注于一个领域、一个方向的人，正在成为隐士或英雄，或兼而有之。另一些则专注于所有的领域和方向，充满热情；在茫茫的信息海洋中，无数人被自由所隔绝，这些人却上升为灯塔或海图。”
下面粘贴一份Groovehttp://www.ck-world.com在Wiki上的大概解释：
Groove is the sense of propulsive rhythmic "feel" or sense of "swing" created by the interaction of the music played by a band's rhythm section (drums, electric bass or double bass, guitar, and keyboards). The term is mainly used in the context of genres outside of Western art music, such as funk, rock music, power groove, fusion, and soul.
While some musicians have called the concept of "groove" a subjective and elusive notion, they acknowledge that the concept is well-understood by experienced musicians at a practical, intuitive level. Funk and Latin musicians refer to "groove" as the sense of being "in the pocket", and jazz players refer to groove as the sense that a jam session is really "cooking" or "swinging."
Musicologists and other scholars began to analyse the concept of "groove" in the 1990s. They have argued that a "groove" is an "understanding of rhythmic patterning" or "feel" and “an intuitive sense" of "a cycle in motion" that emerges from "carefully aligned concurrent rhythmic patterns" that sets in motion dancing or foot-tapping on the part of listeners.
因此选择变成了一种特殊的技能，甚至上升为美德。那些专注于一个领域、一个方向的人，正在成为隐士或英雄，或兼而有之。另一些则专注于所有的领域和方向，充满热情；在茫茫的信息海洋中，无数人被自由所隔绝，这些人却上升为灯塔或海图。”
下面粘贴一份Groovehttp://www.ck-world.com在Wiki上的大概解释：
Groove is the sense of propulsive rhythmic "feel" or sense of "swing" created by the interaction of the music played by a band's rhythm section (drums, electric bass or double bass, guitar, and keyboards). The term is mainly used in the context of genres outside of Western art music, such as funk, rock music, power groove, fusion, and soul.
While some musicians have called the concept of "groove" a subjective and elusive notion, they acknowledge that the concept is well-understood by experienced musicians at a practical, intuitive level. Funk and Latin musicians refer to "groove" as the sense of being "in the pocket", and jazz players refer to groove as the sense that a jam session is really "cooking" or "swinging."
Musicologists and other scholars began to analyse the concept of "groove" in the 1990s. They have argued that a "groove" is an "understanding of rhythmic patterning" or "feel" and “an intuitive sense" of "a cycle in motion" that emerges from "carefully aligned concurrent rhythmic patterns" that sets in motion dancing or foot-tapping on the part of listeners.
