watch me move 巴比肯的动画秀
确实就是动画秀，根据历史把有意思的，有影响的不同类型的片断，短片展映。有一点实物陈列。选片还是有不少有意思和稀有的内容。
从早期电影到早期迪斯尼，到pixar，anime，电脑动画，前卫实验，艺术电影等等。整个秀的设计布局和陈设还不错，那么多的投影可以互不影响。如果通通看下来是要一天功夫。不足之处是说明太少，对于背景啊，技术啊的解释还比较欠缺，当然你可以记下来回去自己搜资料。其实更适合已经对动画历史有些了解的童鞋和老师。小记印象深刻的一些内容。
Quay兄弟的放的是In Absentia, 这部由著名前卫作曲家Stockhausen配乐，更是充满了Quay兄弟的特有黑暗不安之感。原来这个灵感是来自真人真事，一个锁在疯人院的女子用铅笔不停地写情书，直到纸上密密麻麻地涂满了字，让人不寒而栗。
How did In Absentia come about?
It was a film commissioned by the BBC as part of a series called "Sound on Film International," born from the collaborations between musical composer and filmmaker. Each filmmaker was assigned a musical passage which became the starting point for the construction of a short film. We worked on a composition by Karlheinz Stockhausen, "Zwei Paare." The day we listened to the piece for the first time there was a release within us of a torrent of ideas and visual flashes. We then started immediately with the direction of the film without having a real and proper work plan, but developing it as we went along.
In the closing credits we learn that the film was inspired by a real life event...
For the story we based ourselves on the real life event of a woman who was enclosed in a psychiatric hospital, who would write love letters every day to a particular man. The surprising thing is that when Stockhausen saw the film at an avant-premiere he was moved to tears. We only later learned that his mother was imprisoned by the Nazi's in an asylum, where she later died. Even for us this was a very moving moment, especially because we directed the film without knowing any of this.
（http://www.horschamp.qc.ca/new_offscreen/quay.html）
欢乐一点的是1930年出品列那狐的故事，也展出了些实物木偶。制作者Wladyslaw Starewicz是很有名的木偶动画师，这部动画表情生动，而且配音的也就是瓮声瓮气老式法国片的腔调，更具喜感。这次展览应该是放全片的，没有看完，很想知道那只唱情歌的猫和狐狸斗是怎样的下场。Wes Anderson的狐狸爸爸也是有参考这部片的造型，我应该会花钱买这部的dvd。
Yuri Norstein的收了Tale of Tales 这是他最有名的一部，我觉得比较沉重，我更喜欢的是他的迷雾中的小刺猬，不过运用层层玻璃，再看一遍，效果和技术还是叹为观止。
Walerian Borowczyk的Les Jeux des angles 是Steve最喜欢的动画之一，比较抽象，以前看的版本画质都很差，这次总算是回归本色。
Stefan and Franciszka Themerson的实验动画The eye and the ear很有意思，他们试图用图像来诠释音乐，当然我们现在把这个叫做mtv或者vj，然而这个早期黑白的短片画面非常有诗意。
http://www.youtube.com/watch?v=JWIny-Z_hiQ
http://www.luxonline.org.uk/artists/stefan_and_franciszka_themerson/the_eye_and_the_ear.html
Alexander Alexeieff的pinboard动画鼻子我也很喜欢，光影的运用很美丽。
电脑动画怎么会少了80年代的Tron?原作看上去要比新版本不知道酷了多少倍。
中国动画也收入了万氏兄弟的铁扇公主。
总之，很多不同媒介的动画，也许有些你已经听说，有些你可能看过，但还是很值得把他们放在一起，尽管数量与不同的种类会让你有审美疲劳，我总觉得巴比肯的展都是让人精疲力竭，至少中间放个让人可以喝茶吃东西的地方吧。
再补记Rabbit, 这个是最近的，以前在onedotzero上有看过，用大家熟悉的儿童读物（课本）的插图来做动画这部算是开了个潮流，我想国内的韩美美这种应该也是受影响的。
从早期电影到早期迪斯尼，到pixar，anime，电脑动画，前卫实验，艺术电影等等。整个秀的设计布局和陈设还不错，那么多的投影可以互不影响。如果通通看下来是要一天功夫。不足之处是说明太少，对于背景啊，技术啊的解释还比较欠缺，当然你可以记下来回去自己搜资料。其实更适合已经对动画历史有些了解的童鞋和老师。小记印象深刻的一些内容。
Quay兄弟的放的是In Absentia, 这部由著名前卫作曲家Stockhausen配乐，更是充满了Quay兄弟的特有黑暗不安之感。原来这个灵感是来自真人真事，一个锁在疯人院的女子用铅笔不停地写情书，直到纸上密密麻麻地涂满了字，让人不寒而栗。
How did In Absentia come about?
It was a film commissioned by the BBC as part of a series called "Sound on Film International," born from the collaborations between musical composer and filmmaker. Each filmmaker was assigned a musical passage which became the starting point for the construction of a short film. We worked on a composition by Karlheinz Stockhausen, "Zwei Paare." The day we listened to the piece for the first time there was a release within us of a torrent of ideas and visual flashes. We then started immediately with the direction of the film without having a real and proper work plan, but developing it as we went along.
In the closing credits we learn that the film was inspired by a real life event...
For the story we based ourselves on the real life event of a woman who was enclosed in a psychiatric hospital, who would write love letters every day to a particular man. The surprising thing is that when Stockhausen saw the film at an avant-premiere he was moved to tears. We only later learned that his mother was imprisoned by the Nazi's in an asylum, where she later died. Even for us this was a very moving moment, especially because we directed the film without knowing any of this.
（http://www.horschamp.qc.ca/new_offscreen/quay.html）
欢乐一点的是1930年出品列那狐的故事，也展出了些实物木偶。制作者Wladyslaw Starewicz是很有名的木偶动画师，这部动画表情生动，而且配音的也就是瓮声瓮气老式法国片的腔调，更具喜感。这次展览应该是放全片的，没有看完，很想知道那只唱情歌的猫和狐狸斗是怎样的下场。Wes Anderson的狐狸爸爸也是有参考这部片的造型，我应该会花钱买这部的dvd。
Yuri Norstein的收了Tale of Tales 这是他最有名的一部，我觉得比较沉重，我更喜欢的是他的迷雾中的小刺猬，不过运用层层玻璃，再看一遍，效果和技术还是叹为观止。
Walerian Borowczyk的Les Jeux des angles 是Steve最喜欢的动画之一，比较抽象，以前看的版本画质都很差，这次总算是回归本色。
Stefan and Franciszka Themerson的实验动画The eye and the ear很有意思，他们试图用图像来诠释音乐，当然我们现在把这个叫做mtv或者vj，然而这个早期黑白的短片画面非常有诗意。
http://www.youtube.com/watch?v=JWIny-Z_hiQ
http://www.luxonline.org.uk/artists/stefan_and_franciszka_themerson/the_eye_and_the_ear.html
Alexander Alexeieff的pinboard动画鼻子我也很喜欢，光影的运用很美丽。
电脑动画怎么会少了80年代的Tron?原作看上去要比新版本不知道酷了多少倍。
中国动画也收入了万氏兄弟的铁扇公主。
总之，很多不同媒介的动画，也许有些你已经听说，有些你可能看过，但还是很值得把他们放在一起，尽管数量与不同的种类会让你有审美疲劳，我总觉得巴比肯的展都是让人精疲力竭，至少中间放个让人可以喝茶吃东西的地方吧。
再补记Rabbit, 这个是最近的，以前在onedotzero上有看过，用大家熟悉的儿童读物（课本）的插图来做动画这部算是开了个潮流，我想国内的韩美美这种应该也是受影响的。
