Louise Gluck

评语：2021 “And yet, more often we were silent, preferring the river over anything we could say.”

评语：2014 一本本读下来 怎么会这么好 如漂浮在夜中 窥到一点无限 silence had entered me, these were the moments I lived for.

评语：2009 And then the frost comes; there’s no more question of harvest. The snow begins; the pretense of life ends. The earth is white now; the fields shine when the moon rises. I sit at the bedroom window, watching the snow fall. The earth is like a mirror: calm meeting calm, detachment meeting detachment. What lives, lives underground. What dies, dies without struggle.

评语：2006 “Prism” and “October”. The assignment was to fall in love. The author was female. The ego had to be called the soul. The action took place in the body. Stars represented everything else: dreams, the mind, etc. The beloved was identified with the self in a narcissistic projection. The mind was a subplot. It went nattering on.

评语：2001 “We stood on our little balcony in the summer night. And off somewhere, the sounds of human life.”

评语：1999 死亡与新生 “you’ll wake up in a different world, you will eat again, you will grow up into a poet! Life is very weird, no matter how it ends, very filled with dreams. Never will I forget your face, your frantic human eyes swollen with tears.”

评语：1996 双线并行互为对照，奥德赛线中对神话的重述与“消解”非常有意思，写出了神话宏大性背后的日常性与人性，“what if war is just a male version of dressing up, a game devised to avoid profound spiritual questions?” 非常喜欢Telemache与Circe的几首。另一条线更为冷冽，感情破裂边缘的回避与无力，“You must learn to think of our passion that way. Each kiss was real, then each kiss left the face of the earth.”

评语：1992 “stone or not, the moon is still that much of a living thing.”

评语：1990 没有后来的几本集子超脱，这里还有很多情绪，但还是好冷静，还有种从冷静里生出来的愉悦。

评语：1985

评语：1980

评语：1975

评语：1968