Say Yes presents Paula Temple- Hybrid Live [ R&S Records] China Tour
Misloop / Micorhate / Misa
2017. 2. 23
4/ F, 218 Xinlu, near Donghu Lu
新乐路 218号4F, 近东湖路, 上海
2月24日 成都 HWG
2月25日 杭州 Loopy
3月2日 北京 Dada
3月18日 香港 Ovolo Southside
新的一年, Say Yes重装上阵, 荣幸邀请到旅居柏林, 签约传奇厂牌R&S的优秀制作人Paula Temple在上海, 杭州, 成都, 北京和香港5城展开她的首个中国巡演。她将为Say Yes开春后的首场巡演带来自己别具一格的hybrid live。
拥有20余年DJ经验的Temple早期以播放唱片为主, 第一个十年里便已建立了稳固的粉丝群。她充满活力的高能风格是她在90年代末, 00年代初黑胶DJ的延伸, 专注于因对Jeff Mills和Dave Calrk的喜爱而较流行的快速混音, 放起唱片来从不知疲倦。而现今她的拿手绝活儿是用Ableton和控制器, 通过精准的技巧, 建立充满力量和富于活力的音景将自己的创作融入其中, 将舞池带入疯狂。她的独特风格模糊了创作和DJ的界限,将两者揉合为一体, 故称为Live和DJ的混合现场。在众多的选曲中加入自我创作，她的这种独特现场在中所周至极具标志性的Tresor, Berghain和I Love Techno都造成了不小的轰动。
作为才华横溢的制作人, 早期作品均出现在Techno传奇人物Jeff Mills的神作《Exhibitionist》和Techno先驱Chris McCormack的厂牌Materials, 并受到John Peel的肯定。后在R&S的发行更是首首精良: 无论是里程碑式的《Deathvox》, 还是首张EP《Colonized》。接踵而来的便是为先锋电子艺人Perera Elsewhere和Planningtorock的混音。她为音乐人Fink制作的混音很好地诠释了其混音作品广受欢迎的原因。在她与其他许多音乐风格完全不同的音乐人展开的合作中，我们还看到了电子乐团The Prodigy( 神童), 冲破世俗的Peaches和瑞典双人组The Knife这些名字, 但还远不止这些。她在个人厂牌Noise Manifesto下创办了别具一格的合作系列: Decon/ Recon。这些令人耳目一新的高质量产出迅速让Paula Temple走到新派Techno的最前沿, 也收获了更为宽广的舞台。
Temple与Jem The Misfi的视觉声音秀NONAGON在电音盛事ADE上的首次公演获得了了极高赞誉, 世界各大音乐节的舞台上几乎都能看到她的身影: BLOC, Kozzmozz, Convergence,
Unsound, Communikey, 在Techno发源地底特律举办的Movement…去年和Kangding Ray在Berlin Atonal音乐节期间的低调互动后, 近期又在芬兰Flow音乐节圆满演出。不得不说她比以往任何时候都获得了更多的关注和追捧, 可谓如日中天, 被列入RA最佳DJ前100位也是理所应当, 实至名归。 https://www.facebook.com/paulatempleofficial/ https://www.residentadvisor.net/dj/paulatemple https://soundcloud.com/paulatemple
Berlin-based techno artist Paula Temple who's signed with legendary label R&S makes her China debut and brings her unique Hybrid live/dj for Say Yes Reloaded, the first tour in 2017, tour schedule includes Shanghai, Hangzhou, Chengdu, Beijing and Hong Kong, 5 cities.
Temple has been DJing for 2 decades, and spent the early years of her career as a vinyl DJ. Despite building a solid fanbase during her first decade of DJing. Temple's high-energy style is a natural extension of her vinyl DJing in the late '90s and early '00s. Specialising in the rapid type of mixing made popular by the likes of Jeff Mills and Dave Clarke, Temple played records with relentless energy.
Now she's been using Ableton and controllers, she layers clips and self-made edits with cunning precision, building powerful, high-energy soundscapes that whip dance floors into a frenzy. Her style blurs the line between production and DJing, which is why she calls her performances hybrid Live/ DJ sets. Running through dozens of tracks, edits and clips in a set, it's an intense yet nuanced approach. Her Hybrid live/dj sets have become a sensation in such scene bastions as Tresor, Berghain and I Love Techno.
She's already witnessed stellar performances at BLOC, Kozzmozz and London’s Convergence Festival, Unsound festival and Colorado's Communikey Festival, with a forthcoming mini tour of USA including two dates at Movement Detroit. Her first full live AV show NONAGON with Jem The Misfit, set in 9 parts, was premiered at ADE 2014 receiving high acclaim. Last year, she was jamming with Kangding Ray in a place filled with modular synthesizers managed by Sigha during Berlin Atonal, recently played at Flow Festival. She's now more popular than ever, with tracks out on R&S Records and her own Noise Manifesto, got ranked as Top 100 DJs on RA this year.
Temple got her start in music in the early '00s, release appearing on Jeff Mill’s ‘Exhibitionist’ album, recording a well-regarded EP for techno vanguard Chris McCormack's Materials label, and picking up admirers like the late John Peel. In her early days, as a lifelong music technology addict, she co-developed the innovative live performance midi controller MXF8, one of the world's first MIDI controllers.
She obliterated 2014 with ‘Deathvox’, her second monumental release for R&S. Her debut ‘Colonized’ EP made one of biggest statements in 2013 for uncompromising techno, followed by remixes for avant-electronic acts Perera Elsewhere and Planningtorock. A double remix for Fink has yet again demonstrated why Temple is much sought after for remix productions. She's very open to collaborate for different music, like her remixes for The Prodigy, Peaches and The Knife. For her record label Noise Manifesto she has aunched a very special and unique collaboration series called Decon/Recon with select showcase events only. Such refreshing high-voltage output has rapidly placed Paula Temple at the forefront of new techno.
Microhate Former editorial director of DJ Mag Chinese version, Electronica music journalist , Evan aka Microhate turns into a DJ now from an veteran clubber. His DJ style is varied as his music taste, including old school and modern House/Techno, and UKG/Bass music. To bring non-stop energy to the dance floor, and searching for avant-garde factor in groove is always his ultimate motivation of being a DJ, he's the old member of SWIM, the local label in Beijing.
Misloo来自天津，现居上海, 十多年的DJ经验的积累，风格转向Techno, 用对音乐独特的见解和多元化的力量震撼着舞池。2008年Pioneer DJ大赛中获第三名, 成为首位获此殊荣的女DJ。
Misloop's from Tianjin, based in Shanghai, over the years ventured her way into Techno, as she gradually established matured her funky personal style. Bagging various awards in both Beijing and Shanghai, including the National Pioneer DJ competition as the only female nominee, Misloop has discovered not only her love for electronic music but also for winning the crowd with her music.
Misa 来自长沙 现居杭州, 2015年与朋友一起创立了电音厂牌60Hz
不仅自己受邀在音乐节等各大活动演出, 还主办了包括Chacha, Howie Lee, Jimmy Edgar, Misia one, Rome fortune等众多国内外地下电子音乐人在长沙 杭州的演出活动。
Misa from Changsha, base in Hangzhou, became a DJ from a label manager. She created her project 60Hz with her friends since 2015. Besides performing at many music festivals, she also organizes lots of underground events which invited both of local acts as well as international artists, such as ChaCha, Howie Lee, Jimmy Edgar, Misia One, Rome Fortune and many more.