The three sisters Masja, Olga and Irina dream of leaving the Russian province for a more exciting life – “to Moscow!” Society is in upheaval, but the sisters are immobilised by the horror of their own mortality and the fear that their lives will stay the same. The future signifies great promise, although none of them knows what it will bring. Chekhov’s classic, the “Three Sisters”, has been staged since 1901 and often interpreted as symbolic of the decadence of pre-revolutionary bourgeois society. The sisters have performed many times, bearing witness to their longing to escape the prese...
The three sisters Masja, Olga and Irina dream of leaving the Russian province for a more exciting life – “to Moscow!” Society is in upheaval, but the sisters are immobilised by the horror of their own mortality and the fear that their lives will stay the same. The future signifies great promise, although none of them knows what it will bring. Chekhov’s classic, the “Three Sisters”, has been staged since 1901 and often interpreted as symbolic of the decadence of pre-revolutionary bourgeois society. The sisters have performed many times, bearing witness to their longing to escape the present. “Is this now? – It’s a story that happened yesterday, but I know it’s tomorrow.”
Susanne Kennedy attempts to liberate the sisters and suggests a change of perspective: What if time is cyclical and we live every single moment of our lives over and over again? In Nietzsche, the idea of eternal recurrence means being constantly ready, or an absolute affirmation. Perhaps people are not in control of their own fates. Perhaps entirely different influences are involved. Nietzsche asks whether we would make other choices if we lived as if our lives were endlessly repeated – if we would be less influenced by the desire to control the future than by the desire for liberation.
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0 有用 zz 2025-09-07 俄罗斯
永恒属于神,而时间/运动属于魔鬼,契诃夫在舞台世界里引入「未来」,企图使时间冲破舞台的永恒规则,而苏珊娜•肯尼迪解构「时间」的概念:舞台世界里,时间由词语引入,而词语只存在于自我/演员内部,舞台的时间是存在的拟态simulation。由此,来自莫斯科(过去)和去莫斯科(未来)成为一体的,时间成为圆环——魔鬼的时间和神的永恒成为一体。“你将不得不再活一次,再活无数次;这里面不会有什么新鲜事,每一次痛... 永恒属于神,而时间/运动属于魔鬼,契诃夫在舞台世界里引入「未来」,企图使时间冲破舞台的永恒规则,而苏珊娜•肯尼迪解构「时间」的概念:舞台世界里,时间由词语引入,而词语只存在于自我/演员内部,舞台的时间是存在的拟态simulation。由此,来自莫斯科(过去)和去莫斯科(未来)成为一体的,时间成为圆环——魔鬼的时间和神的永恒成为一体。“你将不得不再活一次,再活无数次;这里面不会有什么新鲜事,每一次痛苦、每一次快乐、每一个想法和叹息,以及你生命中一切难以言表的渺小或伟大,都将回到你身边,所有这些都以同样的连续和顺序,同样的蜘蛛和树间的月光,同样的此时此刻和我自己。永恒的存在沙漏将再次永远转动而你带着它,你会咬牙切齿,诅咒这样说话的恶魔?或者你会回答他:“你是神,我从来没有听说过比他更神圣的!” (展开)
0 有用 松子鸽 2025-04-01 北京
b站阅
0 有用 dellizheng 2024-12-01 北京
看过视频
0 有用 猫毛雨伞 2024-10-30 山东
国话版本 非常差劲,翻译腔台词+798置景+失控现场管理 多次有人过程照相完全没人管
0 有用 Mu 2024-05-03 德国
视觉上该玩的都玩了