Four dancers meet and dance in a very small space. In this reduced area, the bodies of some dancers mask and cut the bodies of the others, creating appearance and disappearance of forms: their bodies interweave. To amplify the volume of the bodies, the composition uses displacements and orientations that avoid the classic directions (the front, the back, both sides, the front diagonals left and right, the back diagonals left and right, the top and the bottom), in order to favour the more subtle diagonals being situated between these big marks. In this cross-fertilization of bodies, the dancers explore relations: experiencing the hand-to-hand, facing each others, turning their back on each other, standing side by side, getting closer or further away, searching ergonomics between their bodies. They are confronted to the laws of otherness, in grip with the flow that puts them in movement: their feelings. In their universe unfurl the sound waves of the music of Kasper T. Toeplitz, going of the outburst to the stagnation: a partner of another order, more immaterial maybe, which moves in the space as the promise of a fulfilment to come.
Production: LOLDANSE Association, with the support of the Ministry of Culture and Communication, and the DRAC Île-de-France , as well as SPEDIDAM for the support of the companies covered by the agreement; coproduction Centre Pompidou; created as part of residencies in National Choreographic Centre of Tours (CCNT), in Micadanses Studio of Paris, and in National Dance Centre of Paris (CND).