按：九月，LP迎来了我们的驻馆城市研究学者，美国著名作家&记者Daniel Brook，重庆将作为他新一轮的城市研究写作对象。Daniel的亚洲首站在北京，9月2日于尤伦斯当代艺术中心UCCA举办了关于“未来城市”的专题讨论，《未来城市的历史》是Daniel的研究课题，10日，将在LP举办同主题的分享对话活动。
According to: In September, LP ushered in our resident city researcherwho the famous American writer journalist Daniel Brook, Chongqing will be hisnew round of urban research writing object. the first stop of Daniel is Beijing,a symposium on "future cities" is held on September 2 at the ullenscentre for contemporary art, Daniel's research topic is "the history ofthe future city", the topic sharing session will be held at LP on the 10th.

未来城市的历史——
对话丹尼尔•布鲁克

时间：2017年9月10日（星期日） 下午3:00
地点：LP艺术空间（重庆市解放碑邹容路50号半岛国际大厦28-A）
语言：英语/中文
主持：倪昆
主讲嘉宾：丹尼尔•布鲁克（美）
对谈嘉宾：段宏伟（奥地利）、陈一中

Time: Sunday,10th Sep.2017, 3:00pm
Venue: 28F-A,No.50 Zourong Road,Yuzhong Dist.,Chongqing
Language: English / Chinese
Host: Ni Kun
Keynote speaker: Daniel Brook
Honored guest: Duan Hongwei / Chen Yizhong

在《未来城市的历史》一书中，美国作家兼记者丹尼尔•布鲁克主要探讨一个令人担忧而发人深省的问题：人类文明是如何通过迅速崛起的现代城市而跃入现代世界的？在中国城市迅速膨胀的当下，【LP艺术空间】邀请本书的作者丹尼尔•布鲁克与大家共同探讨关于未来城市的问题。
In A History of Future Cities, published in English in 2013 and recently translated into Chinese, American author and journalist Daniel Brook explores the fascinating and fraught question: How do civilizations use instant modern cities to leap-frog into the modern world? In light of China’s rapid urban growth, the LP Art Space invites the author of A History of Future Cities, Daniel Brook, to join LP Art Space for a discussion concerning future urbanity.

*活动免费，无需预约报名
Ticketing: Free


嘉宾介绍•Guests Profile

丹尼尔•布鲁克
Daniel Brook

丹尼尔•布鲁克生于纽约，毕业于耶鲁大学，现居美国新奥尔良。他所撰写的关于亚洲建筑及城市化的文章曾刊登于《纽约时报杂志》《哈泼斯杂志》《N+1》等期刊。布鲁克的著作《未来城市的历史》被《华盛顿邮报》盛赞为“具有非同一般的趣味与智慧”，《自然》杂志称其“引人入胜”，《华尔街日报》则认为此作品“令人愉悦”。
Born and raised in New York, Daniel Brook was educated at Yale University and now lives in New Orleans. His work on architecture and urbanism in Asia has appeared in publications including The New York Times Magazine, Harper’s, and N + 1. Brook’s A History of Future Cities, praised as “uncommonly interesting and intelligent” by The Washington Post, “fascinating” by Nature, and “[a] pleasure” by The Wall Street Journal has recently been published in Chinese and Russian translations.


倪昆
Ni Kun

策展人／艺术写作者，现居重庆。国内著名艺术空间Organhaus的联合创办人，LP艺术空间的艺术总监。中国急剧的城市化背景与全球化这个事实语境下的艺术互动，是他持续关注的方向，由其发起的“城市与再造”，“迁移和游牧”等的公共艺术项目及国际论坛，展现了他对于当前境遇的思考。
Curator / Art Writer, currently residing inChongqing. Co-founder of the famous domestic art space Organhaus, artisticdirector of LP art space.His continued focus is on artistic interaction of thecontext rapid urbanization and globalization in China. the public art projectsand international forums, such as "City and Reengineering","Migration and Nomadism", were launched to show his thoughts on thecurrent situation.


段宏伟
Duan Hongwei

策展人，研究者，艺评人，现居维也纳。文化人类学学者，奥地利Medo艺术空间暨蒙蒂亚区域发展研究所中国项目负责人。目前工作和生活在奥地利维也纳。研究兴趣为当代艺术的社会参与及干预、替代空间的实践理论、宗教复兴、族群认同与族群政治理论等。
Curator, researcher, art reviewers.Cultural Anthropologist, Project coordinator of Medo Art Space & Mondial Research Institute of Austria. Currently working and living in Vienna, Austria. Research interests for the contemporary art of social participation and intervention, practice theory of alternative art space , religious revival, ethnic identity and ethnic political theory.


陈一中
Chen Yizhong

四川美术学院油画系硕士，德国布伦瑞克艺术大学Michael Brynntrup影像班。留学现任重庆图比文化创意咨询有限公司「TESTBED2 贰厂」总经理助理兼设计艺术总监。曾任嶺空间当代艺术中心国际项目负责人，I SEE 国际影像艺术节中国区联络人，多次参与组织各类国际性艺术及文化项目。2014年加入「TESTBED2贰厂」初创团队，全程参与项目策划、设计、建设及招商运营管理，并执导拍摄实验纪录片《贰厂》。
Art & creative project manager and visual artist, graduated from Sichuan Fine Arts Institute and got his MFA degree in 2012, exchanged at Prof. Michael Brynntrup’s Filmklass of Braunschweig University of Art, Germany, during 2011- 2012. Now work for Tobe Cultural and Creative Consulting Co., Ltd. [ TESTBED2 ] as Assistant CEO & Art/Design Director. He worked as chief manager of international art project for Ceiling Art Center of Chongqing, coordinator of “I SEE International Video Art Festival” in China, organized and participated many international art and cultural events. He joins the TESTBED2 team from the very beginning point at 2014 and participated the whole process of conceptual programming, design, construction/ regeneration and operational management. He also conducted a experimental documentary film called The Second Factory for TESTBED2.

活动介绍•Event
历史上曾有许多国家企图通过迅速建成现代城市而在一夜之间实现现代化：这一切始于1703年的俄国，彼时的彼得大帝下令在涅瓦河畔建起以红砖造就、运河交错的“翻版阿姆斯特丹”——圣彼得堡城市的建立正是彼得大帝追赶西欧的尝试的结果。
Petersburg, Russia, in 1703, when Tsar Peter the Great sought to catch up to Western Europe by building his own redbrick, canal-laced ersatz Amsterdam on the banks for the Neva River, myriad societies have attempted to modernize overnight through the construction of instant modern cities.

在中国，这个始于19世纪上海的城市崛起过程，如今则在全国各地的大城市和街区中蔓延开来。中国当代城市中如雨后春笋般出现的具有国际化风格的摩天大楼、翻版埃菲尔铁塔、舞台布景般的英伦小镇，在让一些人感到骄傲自满的同时，却让另一些人退避三舍。然而，这些西式建筑背后潜藏着的最重要的问题与其说是美学层面上的，毋宁说是与哲学、经济和政治相关的问题：如何才能让这些仿造城市变成真正的城市？如何才能由模仿转而向创新跃进？在当今世界，是否能够实现平等的文化交流，而不仅仅是以西方文化为重心的文化输出？
In China, this project, initially begun in nineteenth-century Shanghai, is now evident in neighborhoods and metropolises all over the country. Some swell with pride while others wince at contemporary Chinese cities with international-style skyscrapers, scale-model Eiffel Towers, and stage-set English town centers. But the most pressing questions raised by such architecture are less aesthetic than philosophical, economic, and political. How do these ersatz cities become real cities? How does imitation blossom into innovation? And what are the possibilities for equal cultural exchange in a contemporary world no longer dominated by the West?

届时，布鲁克将结合具体的建筑图像，在【LP艺术空间】与现场观众探讨这一系列问题。
Daniel Brook will explore these questions at LP Art Space through concrete architectural images and conversation with the audience.