Jacques Rivette translated by Liz Heron How does one become a Persian? Even more, how does one accept CinemaScope? Such is my feeling on the subject that I do not entertain the slightest reservation, let alone the possibility of rejecting it. At the very least the anamorphic lens will have this i...
In general, because Hou is committed to a great density of information in the shot, the compression yielded by the long lens tends to equalize everything we see. Minor characters, or just passing strangers, become slightly more prominent, while details of environment can get pushed forward as well.
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