In the Mix: Sound of the Ninth Season

　　Sound of the Ninth Season is Sven Väth’s recollection of Cocoon at Amnesia in 2008 with choices that, put simply, represent his own sound and the popular tracks of Cocoon's summer.
　　Disc one reflects Väth's diverse main room closing sets, featuring blatant deep progressive sounds alongside the more typical big room Väth techno, typified by ice cannon-inducing juggernauts like Ti... (展开全部) 　　Sound of the Ninth Season is Sven Väth’s recollection of Cocoon at Amnesia in 2008 with choices that, put simply, represent his own sound and the popular tracks of Cocoon's summer.
　　Disc one reflects Väth's diverse main room closing sets, featuring blatant deep progressive sounds alongside the more typical big room Väth techno, typified by ice cannon-inducing juggernauts like Timo Maas' "Subtellite." The confusion starts when the instantly recognisable cascading chirps of Sasha's "Mongoose," makes an appearance after hardly being played all summer. Other oddities include Virtualmismo's "Mismoplastico" and Smith & Selway's "Total Departure," the latter of which sounds like the duo ran out of ideas and rehashed their legendary "Move."
　　Yet the almost slapdash miscellany embodies a Sven happily ignoring the cynics and simply playing records that he loves in the cavernous Amnesia main room. It's a mentality—ignoring critics, that is—that saw the night enjoy unprecedented success. Despite the stripped back policy to the night this year—a concept that cost one photo shoot and some part-time dancers, negligible PR compared to rival events and non-existent décor in the club—more than 8,000 people crammed into Amnesia more than once, and the venue recorded at least four total sell-outs.
　　Retrospectively you can chart how the perfect storm materialized: The closure of DC10, the economic pinch limiting tourists to only two or three clubbing nights and the redevelopment of the Amnesia Terrace—and it's appealing sound system with bus stop DJ booth—into an arena-like main room. When Ricardo and Luciano played back-to-back on the terrace for eight hours this year, well, something special happened. (As DJs and performers, they showed that there was far more adventure left in the Cocoon story.)
　　Disc two offers snippets of memorable terrace moments like Joris Voorn's thrilling anthemic Magnolia mix of "Dark Flower," and provides a more panoramic vista of the Cocoon Ibiza experience. There are the warped Chris Tietjen staples (Reboot's "Vandong"), Ricardo regulars (SIS' "Orgsa") and even understated Marco Carola moments (Pigon's "Promises"). Despite the predictably of omnipresent hit "Orbitalife," exclusion would have made Johnny D noticeable by his absence—and the same goes for Dubfire's remake of "Grindhouse."
　　Ultimately, that's why the compilation works: It's a snapshot; nothing more, nothing less. It is, indeed, the Sound of the Ninth Season. Naturally, this causes the mix to seem immediately dated, but what critics might not understand is that's exactly the point.
　　http://bbs.udancecn.com/forum_posts.asp?TID=5631　　

　　CD 1
　　01. Mathew Jonson - Symphony For The Apocalypse: New Age Revolution
　　02. Styro 2000 - Liver Donor (Bang Goes Rx)
　　03. Sasha - The Mongoose
　　04. Ahmet Sisman - Buiya
　　05. Timo Maas - Subtellite
　　06. Alex Flatner - Perfect Circles (Original)
　　07. Radio Slave - Grindhouse (Dubfire Terror Planet Remix)
　　08. Virtualismo - Mismo Plastico
　　09. Smith & Selway - Total Departure (Cirez D)
　　10. Väth vs Flügel - Trashbindance
　　CD 2
　　01. Anthony Collins - Reeves
　　02. Kollektive Turmstrasse - Herz Aus Holz Mix
　　03. SIS - Orgsa
　　04. Johnny D - Orbitalife
　　05. Quenum - Vault Element
　　06. Reboot - Vandong
　　07. Sven Tasnadi - Waiting For You Again
　　08. Pigon - Promises
　　09. Microworld - This Is My Friend (Disco Version)
　　10. Robert Babicz - Dark Flower (Joris Voorn Magnolia Mix)
　　11. Luke Solomon - Spirits (Prins Thomas Disko-tek Miks)

Sven Vath开始转型了？	来自杨小熊™	4 回应	2009-04-27