Deaf Sentence

　　Funny and moving by turns, Deaf Sentence is a witty, original and absorbing account of one man’s effort to come to terms with deafness, ageing and mortality, and the comedy and tragedy of human lives.
　　When the university merged his Department of English with Linguistics, Professor Desmond Bates took early retirement, but he is not enjoying it. He misses the routine of the acade... (展开全部) 　　Funny and moving by turns, Deaf Sentence is a witty, original and absorbing account of one man’s effort to come to terms with deafness, ageing and mortality, and the comedy and tragedy of human lives.
　　When the university merged his Department of English with Linguistics, Professor Desmond Bates took early retirement, but he is not enjoying it. He misses the routine of the academic year and has lost his appetite for research. His wife Winifred’s late-flowering career goes from strength to strength, reducing his role to that of escort, while the rejuvenation of her appearance makes him uneasily conscious of the age gap between them. The monotony of his days is relieved only by wearisome journeys to London to check on his aged father who stubbornly refuses to leave the house he is patently unable to live in with safety.
　　But these discontents are nothing compared to the affliction of hearing loss — a constant source of domestic friction and social embarrassment, leading Desmond into mistakes, misunderstandings and follies. It might be comic for others, but for the deaf person himself, it is no joke. It is his deafness which inadvertently involves Desmond with a young woman whose wayward behaviour threatens to destabilize his life completely.　　

　　David Lodge(1935– ), English novelist and critic, b. London, grad. University College, London (B.A., M.A.) and the Univ. of Birmingham (Ph.D.). Lodge taught at the Univ. of Birmingham (1960–87), during which time he wrote studies of Graham Greene (1966) and Evelyn Waugh (1971). His works of criticism, which deal mainly with modern literary theory, include The Language of Fiction (1966), The Modes of Modern Writing (1977), Working with Structuralism (1981), The Art of Fiction (1992), and Consciousness and the Novel (2002). Since 1987 he has been a full-time writer. Lodge has used his deep intimacy with the academic world in many of his novels, which reveal a talent for deft characterization, wry humor, and incisive commentary. At its best, Lodge's fiction combines satire with humane sympathy for his characters. His novels include The Picturegoers (1960), Changing Places (1979), Small World (1985), Nice Work (1988), Paradise News (1991), Therapy (1995), and Thinks... (2001).

企鹅出版社在送该书的预读本	来自企鹅中国		2009-03-30