The Seldom Seen Kid (豆瓣)

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表演者: Elbow

唱片数: 1
条型码: 5099851973422
发行时间: 2008-03-17
出版者: Universal
介质: Audio CD

7.7

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20.2%

47.9%

29.1%

2.6%

0.2%

想听在听听过

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简介 · · · · · ·

　　Elbow’s new album, their fourth, is reassuringly boring on initial contact. Reassuring because if Elbow fans know anything, it’s that the band they love make music that rewards revisiting, that slowly unfurls itself over time to reveal sonic and emotional depths inconceivable at the first glimpse. If The Seldom Seen Kid jumped out and stamped itself on the dancefloor or airwave... (展开全部) 　　Elbow’s new album, their fourth, is reassuringly boring on initial contact. Reassuring because if Elbow fans know anything, it’s that the band they love make music that rewards revisiting, that slowly unfurls itself over time to reveal sonic and emotional depths inconceivable at the first glimpse. If The Seldom Seen Kid jumped out and stamped itself on the dancefloor or airwaves from the off, you’d know something was amiss.
　　Because the joy of Elbow is in the details, both of Guy Garvey’s beautiful gutter poetry and his band’s wondrous arrangements. Their songs are completely bereft of platitudes and cliché, both musical and emotional, and this is the triumph that elevates them above the bands so often erroneously labeled as their contemporaries (most namely Coldplay): when an Elbow song repeats itself it is to build tension and release, not because it has nowhere else to go; when Garvey opens his mouth to sing it is to express the details of real human stories, not anonymous lines that anyone could project upon.
　　It’s with a typical pragmatic emotion, and lack of moribundity, that The Seldom Seen Kid is titled in memory of a friend of the band who died two years ago. That pragmatism is extended to the record’s production: for the first time, Elbow have done everything themselves - recording, mixing, producing - without any outside help, a fact of which they are justifiably proud.
　　Elbow’s albums have always been considerably better in pure sonic terms than their contemporaries, and there is no erring from this quality here; absolutely every element throughout the album is rendered beautifully, be it guitars, strings, any facet of a myriad array of percussion, or the microscopic sonic touches that paint life and dust into every sun-beam illuminated corner of the recording studio. Instruments and voices reverberate and decay in a way that enhances the songs by making them evolve inside your ears with every listen.
　　‘Starlings’ starts The Seldom Seen Kid with a bizarre squall of headache noise and then clockwork nothingness with gentle, gentle, padding percussion and gossamer harmonies. Huge swells of sound surround Guy Garvey in imperious cycles as he begins to sing (“so yes I guess I’m asking you / to back a horse that’s good for glue / if nothing else”); it’s not a new direction for Elbow – short of sounding like The Kooks there are few new directions they could travel – but it doesn’t sound quite like anything they’ve done before.
　　They’ve also never done anything quite like ‘The Fix’ before; dappled, opalescent organ and guest vocals from Richard Hawley making for a Lynchian evocation of the crooner’s milieu. Over their last two albums Elbow have escaped the spooky, crawling claustrophobia that occasionally threatened to engulf them on their first records (think ‘Bitten By The Tail Fly’ and ‘I’ve Got Your Number’); something like ‘The Fix’, or even the European lilt and drone of ‘An Audience With The Pope’, laconic and pointed, which flits into Tom Waits-esque fucked-up dusty guitar licks, would have been outside of their capabilities five years ago.
　　‘The Bones Of You’ (which is supplicated bizarrely but beautifully into a lone piano and trumpet playing a jazz elegy of ‘Summertime’ while Big Issue sellers and pedestrians go about their business outside the studio) and ‘One Day Like This’ are the twin emotional high-points of the album, each deploying a soaring chorus or two; the former is a reminiscence though, of “five years ago and three-thousand miles away”, while the latter is a joyous, romantic celebration of right now (“holy cow I love your eyes”) that gathers, swells, and unfolds over six anthemic minutes.
　　The creative peaks of The Seldom Seen Kid are numerous; the chiming delicacy, gentle swell and gorgeous touches of piano through ‘Mirrorball’ (“we kiss like we invented it”); the monstrous riff and subsequent bass-run that tear through the middle of ‘Grounds for Divorce’; the ethereal harmonies of ‘Some Riot’. If one was pushed to choose an absolute highlight it might just be the driftingly beautiful ‘Weather To Fly’; touched with elegiac horns and beautiful lyrics, its plaintive melody circling itself around and around, always finding its own beginning.
　　Angrier politically and more contended emotionally than before, Elbow are no less beautiful and imaginative. A more evenly-distributed record than Leaders Of The Free World, which accentuated its internal dynamics by vacillating wildly from maximalist stomps to sparse elegies, the achievement of The Seldom Seen Kid is that Elbow manage to be both incredibly consistent and perpetually improving. It’s an easy phrase to utter, but Elbow are one of the finest bands in the world right now.
　　- drowndedinsound.com
　　--------------------
　　Epic post-rock tinged emotional indie stalwarts Elbow release their fourth album 'The Seldom Seen Kid', another staunchand anthemic collection of songs. The tense and emotional sound of previous records remains, but with a distinctly morecommercial riff-based template, particularly on lead single'Grounds For Divorce'. The band produced the record themselves, as with previous records, lending it a homespun qualitythat would be out of synch with any external influence. Revered by their peers as a reliably independent act, Elbow have created a subtly innovative extension of their sound and scope with 'The Seldom Seen Kid'.
　　- amazon.co.uk
　　source: drownedinsound.com
　　Artist: Elbow
　　Album: The Seldom Seen Kid
　　Date Of Release: 2008
　　Genre: Indie Rock　　

试听 · · · · · ·

歌曲	收藏
Starlings
The Bones Of You
Mirrorball
Grounds For Divorce
An Audience With The Pope
Weather To Fly
The Loneliness Of A Tower Crane Driver
The Fix
Some Riot
One Day Like This
Friend Of Ours
We're Away

豆瓣成员常用的标签(共101个) · · · · · ·

Elbow(342) britpop(232) brit-pop(116) indie(101) 英国(76) 2008(76) 英伦(66) rock(43)

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温情回归
Cindy(Summer Melancholy)

Elbow的首张专辑《Asleep In The Back》发行于2001年，但乐队早在1991年就已成立。怎样的一支乐队才会愿意花费十年的时间来准备一张专辑？去年，这几个潜心做音乐的男人又带来了新作，作为一张向已故好友、曼彻斯特唱作人Bryan Glancy致敬的专辑，《The Seldom Seen Kid》由真挚......

2009-02-13 1/1有用

Elbow《The Seldom Seen Kid》
不缝

Elbow主唱Guy Garvey在专辑发表之前的一次采访中说，“我们想做一张让人喜欢使人愉快同时又非常生动的唱片，让人听它时，会觉得这张专辑是专门为自己量身定做的。它在为死去的伟人致敬，也为刚刚降生的孩子接风，当中涉及到了生死、得失等等我们一辈子都要关注的问题，同时还讲述了如今已经认识17年的5个老朋友之间的故事。”...... (10回应)

2008-04-14 2/3有用

"The Seldom Seen Kid"论坛 · · · · · ·


他们得水星奖也太夸张了	来自谁不在变	22 回应	2009-10-30
Mirrorball	来自Helen&lollipop	1 回应	2009-10-05
dl	来自理论上	6 回应	2009-07-16
呵呵，我厚颜无耻~	来自努力的卷毛狗		2009-04-28
Grounds For Divorce	来自bluealimu	1 回应	2009-04-13

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tags:独立摇滚 Elbow
说实话我是因为这个album的名字进来的，有人把它翻译成孩子我很少见到你，但是我听了一半之后觉得应该翻译成，不愿见人的孩子。很少觉得indie rocknroll的东西里面会有柔和的情感但是这一张确实有，不过我还是听不下去了因为旋律实在是太稀烂，让我甚是不平静，所以听到第六首已经没有耐心。还是标记为想听吧