Paganini：Played on Paganini's Violin Vol.1

　　专辑介绍:
　　意大利小提琴家、作曲家,为音乐史上最负盛名的演奏家之一.学于热那亚和帕尔马,十三岁首次登台.1805-1813年任卢卡公主的宫廷音乐总监, 1828年起赴维也纳、德国、巴黎(1831)和英伦三岛演出.除小提琴外,尚擅于演奏吉他和中提琴,请柏辽兹写作中提琴曲一首而得《哈罗尔德在意大利》 (1834),但他从未演奏它,据说嫌其独奏部分不够辉煌.
　　帕格尼尼最光辉的成就在于演奏自己的作品.他身材瘦长,拉琴时情绪激越,似痴似醉,如魔鬼附身.技巧之精湛有二十四首小提琴独奏用随想曲(op.1)为证.这是帕格尼尼生前允许出版的少数作品之一.二十四首随想曲中的某些新技巧由李斯特和舒曼移植于钢琴练习曲中,由布拉姆斯和拉赫玛尼诺夫用于钢琴变奏曲中.另作有小提琴协奏曲至少五部(其中一部最近才被发现), 《威尼斯狂欢节》和其他小提琴曲,以及吉他与弦乐合奏的室内乐.... (展开全部) 　　专辑介绍:
　　意大利小提琴家、作曲家,为音乐史上最负盛名的演奏家之一.学于热那亚和帕尔马,十三岁首次登台.1805-1813年任卢卡公主的宫廷音乐总监, 1828年起赴维也纳、德国、巴黎(1831)和英伦三岛演出.除小提琴外,尚擅于演奏吉他和中提琴,请柏辽兹写作中提琴曲一首而得《哈罗尔德在意大利》 (1834),但他从未演奏它,据说嫌其独奏部分不够辉煌.
　　帕格尼尼最光辉的成就在于演奏自己的作品.他身材瘦长,拉琴时情绪激越,似痴似醉,如魔鬼附身.技巧之精湛有二十四首小提琴独奏用随想曲(op.1)为证.这是帕格尼尼生前允许出版的少数作品之一.二十四首随想曲中的某些新技巧由李斯特和舒曼移植于钢琴练习曲中,由布拉姆斯和拉赫玛尼诺夫用于钢琴变奏曲中.另作有小提琴协奏曲至少五部(其中一部最近才被发现), 《威尼斯狂欢节》和其他小提琴曲,以及吉他与弦乐合奏的室内乐.放纵无度的生活致使健康恶化,1834年起不得不减少音乐会演出.1840年5月27日死于威尼斯,相传有未死而误遭活埋一说.
　　Première recording with Paganini's own violin - Première recording from autoghraph manuscript. Concerto No. 1 in E flat Major - Concerto No. 2 in B minor "La Campanella". Orchestra del Teatro Carlo Felice di Genova - Massimo Quarta, soloist and conductor - (Massimo Quarta plays Paganini’s 1742 Guarneri "del Gesù") - The present CD is the first of three dedicated to the Violin Concertos by Nicolò Paganini. For the first time these works have been recorded using Paganini's own violin, the famous 1742 Guarneri del Gesù. This production, made with the orchestra of Genoa's Teatro Carlo Felice, is even more intriguing for the fact that the six concertos have been performed in the original version of Paganini's manuscripts, differing in many important aspects from the 19th-century printed editions. The First Concerto, in particular, has been recorded for the first time in the original tonality of E flat Major, with the violin uptuned by half a tone, in accordance with Paganini's autograph. With this project, which offers the listener the six concertos exactly as the Genoese composer conceived and wrote them, Dynamic wants to pay a homage to one of the most significant figures in the history of 19th-century Italian violin music, providing music lovers with a series of recordings that are not only valuable for their high artistic quality but also for their documentary importance. - Our soloist, Massimo Quarta, was a pupil of Salvatore Accardo and the winner, in 1991, of the prestigious Paganini International Violin Competition, when he first revealed just how close to the composer's spirit his interpretation of Paganini is.　　

　　Concerto No.1
　　IN THE ORIGINAL TONALITY OF E-FLAT MAJOR 38'14"
　　1.Allegro maestoso(cadenza Sauret/Quarta) 22'30"
　　2.Adagio espressivo 05'42"
　　3.Rondo:Allegretto spiritoso 10'02
　　CONCERTO NO.2 IN B MINOER"LA CANPANELLA" 32'47"
　　4.Allegro maestoso(cadenza Quata) 16'25"
　　5.Adagio 07'07"
　　6.Rondo:Andantino-Allegretto moderato 09'15"

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