Peter Doig

　　Whether painting a mysterious bearded figure floating on a flat wash of blue or a winter landscape glimpsed through a thick web of branches, PETER DOIG harnesses the materiality of his medium to create what he calls `abstractions of memories', distilling recollected sensations into frozen moments, like scenes in a series of mysterious narratives. In Gasthof zur Muldentalsperre ... (展开全部) 　　Whether painting a mysterious bearded figure floating on a flat wash of blue or a winter landscape glimpsed through a thick web of branches, PETER DOIG harnesses the materiality of his medium to create what he calls `abstractions of memories', distilling recollected sensations into frozen moments, like scenes in a series of mysterious narratives. In Gasthof zur Muldentalsperre (2000-2) two costumed figures stand guard at a low stone wall while behind them a reservoir reflects a twinkling starry sky. The young man bundled up against the cold in Blotter (1993) contemplates his reflection in a frozen pond, while in Red Boat (Imaginary Boys) (2004) six men in white shirts navigate upstream through a dense tropical landscape.
　　Doig's work has been exhibited at the world's top museums, including The Museum of Modern Art in New York, the Centre Pompidou in Paris and the National Gallery of Canada in Ottawa, and has been selected for contemporary art's most important international exhibitions, such as the SITE Santa Fe Biennial (2006), the Tate Terminal (2003 and 2006) and the Venice Biennale (2003). Although his work has had an enormous impact on contemporary painting, paving the way for a whole generation of idiosyncratic figurative painters, his painted worlds are without parallel. Raised in Canada, based in London for two decades and now living in Trinidad, Doig has tallied a wide range of references, not only geographic (from French modernist architecture to the ski slopes of Quebec) but also artistic (from Ernst Kirchner to Philip Guston) and musical (from punk to calypso).
　　Peter Doig is part of Contemporary Artists, a series of authoritative and extensively illustrated studies of today's most important artists. Each title offers a comprehensive survey of an individual artist's work and a range of art writing contributed by an international spectrum of authors, all leading figures in their fields, from art history and criticism to philosophy, cultural theory and fiction. Each study provides incisive analysis and multiple perspectives on contemporary art and its inspiration. These are essential source books for everyone concerned with art today.　　

　　Adrian Searle is Chief Art Critic at the Guardian and a regular contributor to the El Cultural supplement of El Mundo, as well as an occasional writer of fiction. He has curated exhibitions for the Hayward Gallery, London, the Serpentine Gallery, London, and Reina Sofia, Madrid. He was an early champion of Peter Doig's work and has written on it extensively. Kitty Scott is Chief Curator at the Serpentine Gallery in London. Formerly Curator of Contemporary Art at the National Gallery of Canada (2000-6), Scott has also organized numerous exhibitions as an independent curator, including 'Peter Doig' for the Morris and Helen Belkin Art Gallery, Vancouver (2001). Scott is a visiting professor on the Curatorial Practice course at the California College of the Arts, San Francisco, and has written for such magazines as Canadian Art, Parachute and Parkett. Catherine Grenier is Chief Curator of the Contemporary Collections at the Musee National d'Art Moderne, Centre Pompidou, Paris, where she has organized such exhibitions as 'Los Angeles 1955-85: Birth of an art capital' (2006), 'Big Bang: Creation and destruction in twentieth-century art' (2005-6) and 'Les Annees Pop' (2001).