又名: Snow Flower and the Secret Fan: A Novel
作者: Lisa See
作者: Lisa See
副标题: A Novel
ISBN: 9780812968064
页数: 269
出版社: Random House Trade Paperbacks
定价: USD 14.00
装帧: 平装
出版年: 2006-02-21
ISBN: 9780812968064
页数: 269
出版社: Random House Trade Paperbacks
定价: USD 14.00
装帧: 平装
出版年: 2006-02-21
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In nineteenth-century China, in a remote Hunan county, a girl named Lily, at the tender age of seven, is paired with a laotong, “old same,” in an emotional match that will last a lifetime. The laotong, Snow Flower, introduces herself by sending Lily a silk fan on which she’s painted a poem in nu shu, a unique language that Chinese women created in order to communicate in secret... (展开全部)
In nineteenth-century China, in a remote Hunan county, a girl named Lily, at the tender age of seven, is paired with a laotong, “old same,” in an emotional match that will last a lifetime. The laotong, Snow Flower, introduces herself by sending Lily a silk fan on which she’s painted a poem in nu shu, a unique language that Chinese women created in order to communicate in secret, away from the influence of men. As the years pass, Lily and Snow Flower send messages on fans, compose stories on handkerchiefs, reaching out of isolation to share their hopes, dreams, and accomplishments. Together, they endure the agony of foot-binding, and reflect upon their arranged marriages, shared loneliness, and the joys and tragedies of motherhood. The two find solace, developing a bond that keeps their spirits alive. But when a misunderstanding arises, their deep friendship suddenly threatens to tear apart.
Starred Review. See's engrossing novel set in remote 19th-century China details the deeply affecting story of lifelong, intimate friends (laotong, or "old sames") Lily and Snow Flower, their imprisonment by rigid codes of conduct for women and their betrayal by pride and love. While granting immediacy to Lily's voice, See (Flower Net) adroitly transmits historical background in graceful prose. Her in-depth research into women's ceremonies and duties in China's rural interior brings fascinating revelations about arranged marriages, women's inferior status in both their natal and married homes, and the Confucian proverbs and myriad superstitions that informed daily life. Beginning with a detailed and heartbreaking description of Lily and her sisters' foot binding ("Only through pain will you have beauty. Only through suffering will you have peace"), the story widens to a vivid portrait of family and village life. Most impressive is See's incorporation of nu shu, a secret written phonetic code among women—here between Lily and Snow Flower—that dates back 1,000 years in the southwestern Hunan province ("My writing is soaked with the tears of my heart,/ An invisible rebellion that no man can see"). As both a suspenseful and poignant story and an absorbing historical chronicle, this novel has bestseller potential and should become a reading group favorite as well.
Adult/High School–Lily at 80 reflects on her life, beginning with her daughter days in 19th-century rural China. Foot-binding was practiced by all but the poorest families, and the graphic descriptions of it are not for the fainthearted. Yet women had nu shu, their own secret language. At the instigation of a matchmaker, Lily and Snow Flower, a girl from a larger town and supposedly from a well-connected, wealthy family, become laotong, bound together for life. Even after Lily learns that Snow Flower is not from a better family, even when Lily marries above her and Snow Flower beneath her, they remain close, exchanging nu shu written on a fan. When war comes, Lily is separated from her husband and children. She survives the winter helped by Snow Flower's husband, a lowly butcher, until she is reunited with her family. As the years pass, the women's relationship changes; Lily grows more powerful in her community, bitter, and harder, until at last she breaks her bond with Snow Flower. They are not reunited until Lily tries to make the dying Snow Flower's last days comfortable. Their friendship, and this tale, illustrates the most profound of human emotions: love and hate, self-absorption and devotion, pride and humility, to name just a few. Even though the women's culture and upbringing may be vastly different from readers' own, the life lessons are much the same, and they will be remembered long after the details of this fascinating story are forgotten.
–Molly Connally, Chantilly Regional Library, VA
During the Chinese Cultural Revolution of the 1960s, an old woman fainted in a rural train station. While trying to identify her, authorities found scraps of paper with writing they had never seen, leading them to think she was a spy. But scholars identified the script as nu shu, a writing that had been used exclusively by women for over a thousand years in a remote area of southern Hunan province. Nu shu was different from conventional Chinese script in that it was phonetic and its interpretation was based on context. Years later when author Lisa See became aware of nu shu, her discovery turned into an obsession, resulting in her fourth novel, Snow Flower and the Secret Fan.
Written in the style of a memoir, the book is narrated by 80-year-old Lily Yi as she looks back on her life. Her story begins in 1828 in her village of Puwei in southwestern China. Her father is a hardworking, respected farmer. As in all traditional Chinese families, sons are revered and daughters are seen as temporary obligations, to be passed on to other families at the time of marriage. Even at age 5, Lily, the third daughter in a family of five children, understands her position.
But everything changes on the day the village diviner arrives to help her mother choose a propitious date for Lily and her cousin to begin having their feet bound. The diviner declares that Lily is no ordinary child. A special matchmaker announces that Lily's feet have particularly high arches and, if properly bound, could be shaped into golden lilies -- those highly coveted tiny, perfect feet that might be their key to prosperity. "Fate -- in the form of your daughter -- has brought you an opportunity," the matchmaker says. "If Mother does her job properly, this insignificant girl could marry into a family in Tongkou." Thus in one day, Lily's position in her family changes -- she remains a commodity, but one that now needs to be nurtured so that the family can realize her full value.
Later the matchmaker also suggests to Lily's mother a laotung match for her daughter, a relationship with a girl from the best village in the county. She is the same age as Lily, and their friendship is meant to last a lifetime, being perhaps even more profound than marriage itself. This match would signal to her future family that Lily is not only a woman with perfect golden lilies but also one who has proved her loyalty. When Lily meets her laotung, Snow Flower, she is given a fan with a secret message written in nu shu script inside.
So begins a correspondence between Lily and her new friend in nu shu -- a language considered by men to be of little importance because it belonged to the realm of women. But for Lily and Snow Flower it provides an opening for expressing and sharing their hopes and fears in lives that are otherwise powerless, repressed and bound by rigid social conventions. In the years that follow, Lily teaches Snow Flower the domestic arts of cooking and cleaning, while Snow Flower teaches Lily the more refined arts of weaving and calligraphy. Their bond also deepens during the extended visits Snow Flower makes to Lily's home.
Through See's careful, detailed descriptions of life in a remote 19th-century Chinese village, we experience a world where women spend their days in upstairs chambers, kowtowing to elders, serving tea and communicating in nu shu. She reveals to us the horrors of foot binding (foot bent back, bones broken and reshaped), a young girl's innocent dreams of life in a new home mingled with fears of being married off to a stranger, and the obsession with bearing sons. Woven through all this is the friendship between Lily and Snow Flower, which is compromised when Lily misinterprets a letter from her friend, cutting herself off from the one person she loves most. Years later, when Lily begins to understand her own failings and the depth of Snow Flower's affection for her, it is too late. She must find other ways to seek forgiveness and make amends.
The wonder of this book is that it takes readers to a place at once foreign and familiar -- foreign because of its time and setting, yet familiar because this landscape of love and sorrow is inhabited by us all. Snow Flower and the Secret Fan is a triumph on every level, a beautiful, heartbreaking story.
Reviewed by Judy Fong Bates
Snow Flower, by the author of three crime thrillers set in Communist China and the bestselling memoir On Gold Mountain (1995), explores women’s insular lives in 19th-century rural China. The novel is many things at once: a portrait of a patriarchal culture that valued sons and banished girls to a lesser sphere; an exploration of friendship in all its ups and downs, jealousies, loyalties, and betrayals; and a comment on the spiritual meaning (or emptiness) of tradition, ritual, and ceremony.
Critics heap praise on See’s latest effort. Her blend of fiction and history—a "deft weave of fact and fiction [that] stands out as her signature strength"—invites readers into a world both strange and strangely familiar (San Diego Union-Tribune). See’s impeccable research offers detailed insight into different aspects of Chinese culture that are new to most readers: the gut-wrenching practice of foot binding, the magical world of nu shu, the isolated and lonely world of wives and mothers, who spent nearly their entire lives in seclusion. At the same time, we’re able to identify with the characters—Snow Flower and Lily’s intimate relationship and their struggle to find meaning in life despite the harsh confines of their existence. See’s prose, if not as poetic as other contemporary Chinese-American authors, still has strength and grace. Action (such as the Taiping rebellion) peppers the narrative, yet some subplots seem manufactured. This is a minor quibble, however; Snow Flower is a literary triumph. "By bringing the secret world of these Chinese women into vivid relief," notes the Los Angeles Times, "See has conjured up an alien world that is the better for being lost."
Mystery writer See, author of The Interior (1999) and Dragon Bones (2003), takes readers to nineteenth-century China to explore a complex friendship between two women. Lily is the daughter of a farmer in Puwei Village, and Snow Flower is the daughter of a respectable family from Tongkou, and though the two girls have very different backgrounds, Madame Wang pairs the two as laotong, or "old sames," a bond that will last them a lifetime. The two begin to exchange messages in nu shu, a secret language known only to women. Their friendship is cemented during their youth and then put to the test when the girls prepare for marriage and Lily discovers a startling secret about Snow Flower's family. As Lily solidifies her place in her new family, Snow Flower suffers in her marriage, and the two grow apart as Lily's pride in her position swells. See's writing is intricate and graceful, and her attention to detail never wavers, making for a lush, involving reading experience. This beautiful tale should have wide appeal.
Kristine Huntley
length: (cm)20.5 width:(cm)12.9
Starred Review. See's engrossing novel set in remote 19th-century China details the deeply affecting story of lifelong, intimate friends (laotong, or "old sames") Lily and Snow Flower, their imprisonment by rigid codes of conduct for women and their betrayal by pride and love. While granting immediacy to Lily's voice, See (Flower Net) adroitly transmits historical background in graceful prose. Her in-depth research into women's ceremonies and duties in China's rural interior brings fascinating revelations about arranged marriages, women's inferior status in both their natal and married homes, and the Confucian proverbs and myriad superstitions that informed daily life. Beginning with a detailed and heartbreaking description of Lily and her sisters' foot binding ("Only through pain will you have beauty. Only through suffering will you have peace"), the story widens to a vivid portrait of family and village life. Most impressive is See's incorporation of nu shu, a secret written phonetic code among women—here between Lily and Snow Flower—that dates back 1,000 years in the southwestern Hunan province ("My writing is soaked with the tears of my heart,/ An invisible rebellion that no man can see"). As both a suspenseful and poignant story and an absorbing historical chronicle, this novel has bestseller potential and should become a reading group favorite as well.
Adult/High School–Lily at 80 reflects on her life, beginning with her daughter days in 19th-century rural China. Foot-binding was practiced by all but the poorest families, and the graphic descriptions of it are not for the fainthearted. Yet women had nu shu, their own secret language. At the instigation of a matchmaker, Lily and Snow Flower, a girl from a larger town and supposedly from a well-connected, wealthy family, become laotong, bound together for life. Even after Lily learns that Snow Flower is not from a better family, even when Lily marries above her and Snow Flower beneath her, they remain close, exchanging nu shu written on a fan. When war comes, Lily is separated from her husband and children. She survives the winter helped by Snow Flower's husband, a lowly butcher, until she is reunited with her family. As the years pass, the women's relationship changes; Lily grows more powerful in her community, bitter, and harder, until at last she breaks her bond with Snow Flower. They are not reunited until Lily tries to make the dying Snow Flower's last days comfortable. Their friendship, and this tale, illustrates the most profound of human emotions: love and hate, self-absorption and devotion, pride and humility, to name just a few. Even though the women's culture and upbringing may be vastly different from readers' own, the life lessons are much the same, and they will be remembered long after the details of this fascinating story are forgotten.
–Molly Connally, Chantilly Regional Library, VA
During the Chinese Cultural Revolution of the 1960s, an old woman fainted in a rural train station. While trying to identify her, authorities found scraps of paper with writing they had never seen, leading them to think she was a spy. But scholars identified the script as nu shu, a writing that had been used exclusively by women for over a thousand years in a remote area of southern Hunan province. Nu shu was different from conventional Chinese script in that it was phonetic and its interpretation was based on context. Years later when author Lisa See became aware of nu shu, her discovery turned into an obsession, resulting in her fourth novel, Snow Flower and the Secret Fan.
Written in the style of a memoir, the book is narrated by 80-year-old Lily Yi as she looks back on her life. Her story begins in 1828 in her village of Puwei in southwestern China. Her father is a hardworking, respected farmer. As in all traditional Chinese families, sons are revered and daughters are seen as temporary obligations, to be passed on to other families at the time of marriage. Even at age 5, Lily, the third daughter in a family of five children, understands her position.
But everything changes on the day the village diviner arrives to help her mother choose a propitious date for Lily and her cousin to begin having their feet bound. The diviner declares that Lily is no ordinary child. A special matchmaker announces that Lily's feet have particularly high arches and, if properly bound, could be shaped into golden lilies -- those highly coveted tiny, perfect feet that might be their key to prosperity. "Fate -- in the form of your daughter -- has brought you an opportunity," the matchmaker says. "If Mother does her job properly, this insignificant girl could marry into a family in Tongkou." Thus in one day, Lily's position in her family changes -- she remains a commodity, but one that now needs to be nurtured so that the family can realize her full value.
Later the matchmaker also suggests to Lily's mother a laotung match for her daughter, a relationship with a girl from the best village in the county. She is the same age as Lily, and their friendship is meant to last a lifetime, being perhaps even more profound than marriage itself. This match would signal to her future family that Lily is not only a woman with perfect golden lilies but also one who has proved her loyalty. When Lily meets her laotung, Snow Flower, she is given a fan with a secret message written in nu shu script inside.
So begins a correspondence between Lily and her new friend in nu shu -- a language considered by men to be of little importance because it belonged to the realm of women. But for Lily and Snow Flower it provides an opening for expressing and sharing their hopes and fears in lives that are otherwise powerless, repressed and bound by rigid social conventions. In the years that follow, Lily teaches Snow Flower the domestic arts of cooking and cleaning, while Snow Flower teaches Lily the more refined arts of weaving and calligraphy. Their bond also deepens during the extended visits Snow Flower makes to Lily's home.
Through See's careful, detailed descriptions of life in a remote 19th-century Chinese village, we experience a world where women spend their days in upstairs chambers, kowtowing to elders, serving tea and communicating in nu shu. She reveals to us the horrors of foot binding (foot bent back, bones broken and reshaped), a young girl's innocent dreams of life in a new home mingled with fears of being married off to a stranger, and the obsession with bearing sons. Woven through all this is the friendship between Lily and Snow Flower, which is compromised when Lily misinterprets a letter from her friend, cutting herself off from the one person she loves most. Years later, when Lily begins to understand her own failings and the depth of Snow Flower's affection for her, it is too late. She must find other ways to seek forgiveness and make amends.
The wonder of this book is that it takes readers to a place at once foreign and familiar -- foreign because of its time and setting, yet familiar because this landscape of love and sorrow is inhabited by us all. Snow Flower and the Secret Fan is a triumph on every level, a beautiful, heartbreaking story.
Reviewed by Judy Fong Bates
Snow Flower, by the author of three crime thrillers set in Communist China and the bestselling memoir On Gold Mountain (1995), explores women’s insular lives in 19th-century rural China. The novel is many things at once: a portrait of a patriarchal culture that valued sons and banished girls to a lesser sphere; an exploration of friendship in all its ups and downs, jealousies, loyalties, and betrayals; and a comment on the spiritual meaning (or emptiness) of tradition, ritual, and ceremony.
Critics heap praise on See’s latest effort. Her blend of fiction and history—a "deft weave of fact and fiction [that] stands out as her signature strength"—invites readers into a world both strange and strangely familiar (San Diego Union-Tribune). See’s impeccable research offers detailed insight into different aspects of Chinese culture that are new to most readers: the gut-wrenching practice of foot binding, the magical world of nu shu, the isolated and lonely world of wives and mothers, who spent nearly their entire lives in seclusion. At the same time, we’re able to identify with the characters—Snow Flower and Lily’s intimate relationship and their struggle to find meaning in life despite the harsh confines of their existence. See’s prose, if not as poetic as other contemporary Chinese-American authors, still has strength and grace. Action (such as the Taiping rebellion) peppers the narrative, yet some subplots seem manufactured. This is a minor quibble, however; Snow Flower is a literary triumph. "By bringing the secret world of these Chinese women into vivid relief," notes the Los Angeles Times, "See has conjured up an alien world that is the better for being lost."
Mystery writer See, author of The Interior (1999) and Dragon Bones (2003), takes readers to nineteenth-century China to explore a complex friendship between two women. Lily is the daughter of a farmer in Puwei Village, and Snow Flower is the daughter of a respectable family from Tongkou, and though the two girls have very different backgrounds, Madame Wang pairs the two as laotong, or "old sames," a bond that will last them a lifetime. The two begin to exchange messages in nu shu, a secret language known only to women. Their friendship is cemented during their youth and then put to the test when the girls prepare for marriage and Lily discovers a startling secret about Snow Flower's family. As Lily solidifies her place in her new family, Snow Flower suffers in her marriage, and the two grow apart as Lily's pride in her position swells. See's writing is intricate and graceful, and her attention to detail never wavers, making for a lush, involving reading experience. This beautiful tale should have wide appeal.
Kristine Huntley
length: (cm)20.5 width:(cm)12.9
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