Numbered Days (豆瓣)

放在你的blog里!

表演者: The Meeting Places

唱片数: 1
条型码: 0656605836324
发行时间: 2006-10-03
出版者: Words On Music
介质: Audio CD

6.8

(47人评价)

2.1%

42.6%

48.9%

6.4%

0.0%

想听在听听过

评价:

写乐评
 X

登录 · · · · · ·

Email:

密码: 忘记密码了

在这台电脑上记住我

>还没有注册...
加入豆列
推荐

简介 · · · · · ·

　　`Numbered Days' is the second album of luminous, infectious noise-pop by Los Angeles' THE MEETING PLACES. On their sophomore record the quartet has written ten new songs that craftily combine melodic indie-pop with the tremulous soundscapes first explored on their debut Find Yourself Along The Way (Words On Music, 2003). `Numbered Days' was recorded at The Ship by JIM FAIR... (展开全部) 　　`Numbered Days' is the second album of luminous, infectious noise-pop by Los Angeles' THE MEETING PLACES. On their sophomore record the quartet has written ten new songs that craftily combine melodic indie-pop with the tremulous soundscapes first explored on their debut Find Yourself Along The Way (Words On Music, 2003). `Numbered Days' was recorded at The Ship by JIM FAIRCHILD (GRANDADDY, EARLIMART).
　　
　　`Numbered Days' evokes a leaner, more urgent approach to songwriting, in the spirit of THE JESUS AND MARY CHAIN's `Darklands' or THE SHINS `Oh, Inverted World'.
　　
　　THE MEETING PLACES' renowned mastery of noise-pop shines through in the gorgeous melodies of "Until It's Gone" and in the blistering, darker guitar work of "Sink Into Stone" - two songs on different ends of the lyrical and sonic spectrum.
　　
　　THE MEETING PLACES' more egalitarian approach to their art provides singer Chase Harris with a forum to make subtler points with his lyrics, the impact of which may be dulled in the moment, but deepened over time. For example, on "Pause," the music has a deceptively relaxed cadence - resurrecting "Sister of Europe" era PSYCHEDELIC FURS - that temporarily cloaks the intensity of Harris' narrative of a relationship deteriorating into autopilot.
　　
　　The inclusion of resonating atmospherics is, for THE MEETING PLACES, never an end itself, only a means to an end. Instead of droning into nothingness, shimmering coats of reverb anchor the songs to set up the delivery of a well-placed hook or a knockout punch of a chorus, such as in the boisterous, pulsating "Nothing's The Same" or the catchy, upbeat "Hall of Fame."
　　
　　The cunning implementation of dynamics and sundry instruments (e.g. piano, glockenspiel), showcase THE MEETING PLACES' songwriting talents, as in the album closer "Cardboard Robot" which alternates between a calm, unwavering verse and a searing chorus that detours into early MY BLOODY VALENTINE and kraut-rock.
　　
　　Scott McDonald's howling guitar melodies sometimes take their cues from Eastern music ("Love Like The Movies," "Numbered Days," "Pause"), imposing order and form to the reverberating ambience that lurks beneath the surface. Dean Yoshihara's relentless drumming fastens the music to rhythms that help to broker an immediate relationship between the listener and the band.　　