痛苦与狂喜 The Agony and the Ecstasy (豆瓣)

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导演: Carol Reed
主演: Charlton Heston / Rex Harrison / Diane Cilento

制片国家/地区: 美国
上映日期: 1965-09-16 >更多
语言: 英语
又名: 万世千秋

imdb链接: tt0058886

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剧情简介 · · · · · ·

　　This is a fascinating, colorful and very-well made film that looks like an epic and is in fact an intelligent drama about sculptor-painter- architect-poet Michelangelo Buonarrotti. Here portrayed by the much taller Charlton Heston, and admirably, he is presented as a man who want only to create beauty, a man without "people skills" or interest in much of anything else--not wome... (展开全部) 　　This is a fascinating, colorful and very-well made film that looks like an epic and is in fact an intelligent drama about sculptor-painter- architect-poet Michelangelo Buonarrotti. Here portrayed by the much taller Charlton Heston, and admirably, he is presented as a man who want only to create beauty, a man without "people skills" or interest in much of anything else--not women, nor war not the dynastic dreams of men--only the Renaissance idea of utilizing one's abilities. He even pays attention to religion only because the world interests him, and he equates his heaven with what men can achieve--and Earth with the same sort of place he expects to find as an afterlife. Carol Reed directed and produced this fascinating look at the Renaissance, with its warrior priests, its worldly dreamers and its subtle change toward a politics of gunpowder, secular pursuits and worldly morality. Philp Dunne, author of "David and Bathsheba" wrote this thoughtful spectacle film as well. In the cast besides Heston are Rex Harrison as Pope Julius, close-fisted patron, admirer and nemesis, Harry Andrews as his rival Bramante, Diane Cilento as the woman who would like to love him, Alberto Lupo, Adolfo Celli, Fausto Tozzi and a narration by Marvin Miller. The opportunity to see the real landscapes in which Michelangelo was born, worked and became inspired is a wonderful one for the viewer; the entire Carrara marble quarry section is stunningly beautiful. The film has battle scenes able done by Robert D. Webb, Leon Shamroy's cinematography, a prelude by Jerrald Goldsmith and sterling music by Alex North, production design by John Cuir and Jack Martin Smith and memorable costumes by Vittorio Nino Novarese. The basic thrust of the storyline is twofold; against the wars conducted by vigorous and all-too-worldly Pope Julius, the war to win secular hegemony for his Papal rule, the counter-current is Michelangelo's desire to further his career in Rome by obtaining a commission from the Pope. He does, an assignment to refurbish the Sistine Chapel for him. But after an attempt at some saints, he leaves Rome, and flees to his beloved Carrara. There, surrounded by mountains, he has a vision at sunset and suddenly knows what he must do. Obtaining Julius's reluctant permission, he sets to work covering that modest ceiling with tremendous figures, a bearded Jehovah, a recumbent Adam touched to life by a divine spark, the world's most famous fresco painted from a homemade scaffolding; in spite of illness, missed meals, filth, deprivation, cold, an injury that nearly costs him his eye and more, including the Pope's indifference to his intense passion for his art, Michelangelo endures. "When will you make an end?" Julius cries. "When I have done," the artist insists. And at the end, Julius, beaten on the field of battle, admits he may also have been wrong about the ceiling...that his fostering of Michelangelo's work may be the most important thing he has ever done. Of course the puritans of the era object to the nakedness the artist has depicted, but Michelangelo says he painted people as God made them. The movie, based on the biography "The Agony and the Ecstacy" by Irving Stone here concentrates on a seminal moment in the great artist's career. He may be a sculptor as he insists; but after seeing this moving and fascinating film, no one can doubt that he is also a stubborn and single-minded man--and a painter of genius. Most underrated; often fascinating fictionalized biography. Heston and Harrison are good, everyone else good as well. Worth seeing many times, if only for Dunne's dialogue and the scenery.　　

豆瓣成员常用的标签(共30个) · · · · · ·

米开朗基罗(16) 传记(13) 美国(7) 艺术(6) 1960s(5) 艺术家传(5) 美国电影(4) 艺术家(3)

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简短评论 · · · · · · ( 全部 8 条 )
我来说两句

0 有用小熊娃娃 2007-07-25

★★★☆ [CCTV] Michelangelo！电视放过，高中美术课也放过。其实那个教皇很可爱的。
0 有用伊万的下巴缺个凹槽 2009-08-20

超棒超赞
0 有用 Rainbow 2007-05-04

what's the gift you received from God.
0 有用 ROSANGELA 2009-06-01

片中的教皇是个很正面的角色,对付米氏很有一套办法,同样米氏也能.那时的教皇有那么辛苦?还要亲自带兵打仗?米氏和美第奇的女儿还有如此八卦?总的来说此片还不错.那本放了3年的《米开朗琪罗与教皇的天花板》何时该看看呢？

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美国拍的电影还是有limit
Pru

影片视觉效果不错，演员也是一表人才、貌美如花。但是好莱坞拍这类题材的影片总有其局限性，试举例如下： 1.感觉像是创世论者资助拍的，一再强调上帝在七天之内创造世界的感人过程，真是反进化论于无形，美国这方面的“战斗”也一向是热火朝天，至今方兴未艾。 2.凭什么米开朗基罗就应该结婚？应该有孩子？享受不到天伦之乐就......

2009-09-25