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By the early l940s, when Ukrainian-born Irène Némirovsky began working on what would become Suite Française—the first two parts of a planned five-part novel—she was already a highly successful writer living in Paris. But she was also a Jew, and in 1942 she was arrested and deported to Auschwitz: a month later she was dead at the age of thirty-nine. Two years earlier, living in ... (展开全部)
By the early l940s, when Ukrainian-born Irène Némirovsky began working on what would become Suite Française—the first two parts of a planned five-part novel—she was already a highly successful writer living in Paris. But she was also a Jew, and in 1942 she was arrested and deported to Auschwitz: a month later she was dead at the age of thirty-nine. Two years earlier, living in a small village in central France—where she, her husband, and their two small daughters had fled in a vain attempt to elude the Nazis—she’d begun her novel, a luminous portrayal of a human drama in which she herself would become a victim. When she was arrested, she had completed two parts of the epic, the handwritten manuscripts of which were hidden in a suitcase that her daughters would take with them into hiding and eventually into freedom. Sixty-four years later, at long last, we can read Némirovsky’s literary masterpiece
The first part, “A Storm in June,” opens in the chaos of the massive 1940 exodus from Paris on the eve of the Nazi invasion during which several families and individuals are thrown together under circumstances beyond their control. They share nothing but the harsh demands of survival—some trying to maintain lives of privilege, others struggling simply to preserve their lives—but soon, all together, they will be forced to face the awful exigencies of physical and emotional displacement, and the annihilation of the world they know. In the second part, “Dolce,” we enter the increasingly complex life of a German-occupied provincial village. Coexisting uneasily with the soldiers billeted among them, the villagers—from aristocrats to shopkeepers to peasants—cope as best they can. Some choose resistance, others collaboration, and as their community is transformed by these acts, the lives of these these men and women reveal nothing less than the very essence of humanity.
Suite Française is a singularly piercing evocation—at once subtle and severe, deeply compassionate and fiercely ironic—of life and death in occupied France, and a brilliant, profoundly moving work of art.
The first part, “A Storm in June,” opens in the chaos of the massive 1940 exodus from Paris on the eve of the Nazi invasion during which several families and individuals are thrown together under circumstances beyond their control. They share nothing but the harsh demands of survival—some trying to maintain lives of privilege, others struggling simply to preserve their lives—but soon, all together, they will be forced to face the awful exigencies of physical and emotional displacement, and the annihilation of the world they know. In the second part, “Dolce,” we enter the increasingly complex life of a German-occupied provincial village. Coexisting uneasily with the soldiers billeted among them, the villagers—from aristocrats to shopkeepers to peasants—cope as best they can. Some choose resistance, others collaboration, and as their community is transformed by these acts, the lives of these these men and women reveal nothing less than the very essence of humanity.
Suite Française is a singularly piercing evocation—at once subtle and severe, deeply compassionate and fiercely ironic—of life and death in occupied France, and a brilliant, profoundly moving work of art.
作者简介 · · · · · ·
伊莱娜·内米洛夫斯基,1903年出生于俄国基辅的一个乌克兰犹太银行家家庭,十月革命后,她移居巴黎,凭借其处女作小说《大卫·格德尔》(1929年)迎来了文学上的成功,紧接着,她又创作了小说《舞会》(1930年)。第二次世界大战的巴黎大逃亡之后,她躲在摩万的一个小镇里,后遭法国宪兵逮捕,1942年夏被杀害于奥斯维辛集中营。当时,她在十三岁的长女德尼斯带着一口箱子东躲西藏,箱子装着承载着痛苦的圣物:母亲的遗稿——直至今天才出版的《法兰西组曲》。
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她是一个女作家。
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- 环玥(要想富,先修路。) 二十岁以前,我可以直视别人的双眼,理直气壮地说:难道人生来不就是平等的吗?当我们在一样的天空下,坐在一样的大学课堂听同一个老师的声音,我们接收到的讯息都是一样的吧,尤其大多数人都有那样的一个从小一起到大的朋友,你们看上去旗鼓相当,身份相等。 我现在当然已经过了二十岁,深深地知道人生来不平等的道理。所谓...... (51回应)2007-02-05 118/126有用来自 人民文学出版社2006版
现在,就是跳一支舞也是好的
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- 黎戈(性痴则志凝,故书痴文必工) 看了《法兰西组曲》的第二部《柔板》,很久没有被激起这样的阅读兴奋了。打从现代派兴起之后,满目皆是支离破碎的结构,东一榔头西一棒的叙事,歇斯底里的即兴对话。这次看到这么传统笔法的小说,那根绷紧的阅读神经,马上就被按摩松弛了。清晰的叙事线,扎实的细节功夫,丰腴甜美的景语,人物场景情节,交代的工工整整,纹丝不乱,稍微做点整理...... (9回应)2007-05-06 26/29有用来自 人民文学出版社2006版
在逃亡中想起的爱
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- 于是 六月的巴黎,听上去很美。但运送炸弹的飞机正在逼近,这便是二战时的那个六月的巴黎。文字将我们从和平盛世拽进那段恐慌,作者伊莱娜留下这篇未曾结束的著作,和无数犹太人一样,死于集中营。这部手稿能幸存于世,本身就是个传奇故事。她的两个孩子寸步不离地守着这部手稿,继续父辈的逃亡,她们能幸存,只是靠战争仅存的那么点漏网般的希望。 ...... (6回应)2006-06-07 25/27有用来自 人民文学出版社2006版
煌煌巨著的构思和精致小品的现实
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- 洛 在我的笔记本上,写着这样三段话,没有出处,没有作者。 世上有这样三种书:第一种是精致的书,有学问,有才情,书卷气很浓。这样的书一般来讲并没有巨大的格局,但却写得纯洁高雅。深远的意境,优美洗练的文笔,奠定了它典雅、严谨的品格,给人以很大的滋养,让人懂得保持心灵的洁净。精致的书一般都写得诗情荡漾,有独到的......2007-09-01 14/15有用来自 人民文学出版社2006版
前人叙说,后人展读
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- moyin 犹太女作家伊莱娜•内米诺夫斯基开始写《法兰西组曲》,是在风雨飘摇的一九四一年。那年她三十八岁。一九四二年七月,她被法国宪兵带走,从此没有回到她和丈夫及两个女儿的家。十月,她的丈夫也被带走了。才十三岁和五岁的两个孩子带着母亲完成了五分之二的手稿东躲西藏,战争结束了,她们没有勇气打开箱子,直到二零零四年这本书面世并...... (4回应)2007-11-25 16/17有用来自 人民文学出版社2006版
风暴中,那些人的画像
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- 夏朵 很久以前,有人问我这样一个问题,早晨醒来,身边熟悉的面孔消失,生活不复往昔,日常秩序紊乱,你将怎么办? 啊,我将怎么办?说实话,还没有细想。当时,大概觉得问题过于虚无缥缈:无非是一个不切实际的遥远预想。退一步讲,即使在人类生存、不断前进的过程中,每一种“可能”都有存在的理由(结局不可测)。但是,对平和生活的惯性适...... (1回应)2009-01-19 7/8有用来自 人民文学出版社2006版
残酷的真实
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- 花钿 每一次看伊莱娜的作品都会让我感觉被一种深深的绝望压迫着,这种感觉在这一次更是久久无法散去。每一个伊莱娜笔下的人都有着被生活所扭曲后的真实,她可以将人性深处那种自私放大后以一种让人感觉无奈的方式呈现出来,就如同一件被磨破了美丽外衣的物件,将其内底的粗糙坦露在你面前,而这一点粗糙与其近于完美的外表着差如此大。 这是一本什......2009-11-03 9/9有用来自 人民文学出版社2006版
人性的证明
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- 左岸人生 既然是组曲,会由许多不同的章节,音符构成。大气磅礴的逃亡、战争是组曲的一个从始至终的背景音乐。在低沉的忧戚的环境下,逃亡后的生活,才是人性化的演示。我读此书,不再关注战争的残酷描写,关注的是人的感觉,感兴趣的是,那日常的人性是否泯灭?还有没有复活的迹象?因为人类的遭遇千年不变,自然和人为地杀戮时刻都存在。人间给予的东西......2009-08-31 来自 人民文学出版社2006版
电影和小说中的二战
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- 歌者(低回得失声) 还是关于二战的著作。关于此的著作已经非常多,还有那么多相关的电影。有朋友抱怨,不明白他们为什么总在回忆那些事,甚至有主观渲染的嫌疑。 我们始终不能借此体味战争的创伤,当然也不是在玩味炮火与离别的壮丽凄美。 但是,我在艰涩的西方学术著作中获得内心的通达。在那些艰涩的历史学或政治学、社会学著作中,反复强调的是“保守”,......2009-07-15 来自 人民文学出版社2006版
深深的秘密
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- iiyi 对于内米,我实在写不出评论.实际上,我实在没办法把它看完,一切关于二战的,我现在看了都头大.因为上学的缘故,我买了一卷11本关于二战的历史,作者是伦敦政治经济学院的汤因比教授,但是我只看第一本就几度晕乎乎要睡过去,尽管它披露了许多不为人知的知识和细节,非常重要的.之后又预演了许多二战中国抗战的电影.内米和纳博都是从俄罗......2009-06-18 来自 人民文学出版社2006版
2006.7.16
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- 大桃子。。(花の色は 移りにけりな) 昨天开始看《法兰西组曲》,出乎意料的吸引人,欲罢不能。 伊莱娜是个天才,用女性才有的精准、意会的文字描摹出二战法国沦陷时期的众生相。语言时而冷酷,时而充满柔情,更多的时候是克制、不动声色的描写。收藏家突如其来充满讽刺意味的死亡;雅克琳娜的宠物小猫,在陌生的农村找到了与生俱来的野性本能;露西尔和德国中尉戛然而止的爱情....... (4回应)2009-04-28 来自 人民文学出版社2006版
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| 阅读犹太作家奥斯维辛集中营遗作 | 来自無機客 | 2006-11-15 |
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这本书的其他版本 · · · · · · ( 全部5 )
- 人民文学出版社版 2006-5 / 1144人读过 / 有售
- 人民文学出版社版 2009.10 / 6人读过 / 有售
- Vintage版 2007-04-10 / 16人读过 / 有售
- 聯經出版事業股份有限公司版 2009/05/01 / 2人读过
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