Fight Club (豆瓣)

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作者: Chuck Palahniuk

副标题: A Novel
ISBN: 9780393327342
页数: 224 页
定价: USD 13.95
出版社: W. W. Norton
装帧: Paperback
出版年: 2005-10-03

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简介 · · · · · ·

　　The first rule about fight club is you don't talk about fight club. Chuck Palahniuk's outrageous and startling debut novel that exploded American literature and spawned a movement. Every weekend, in the basements and parking lots of bars across the country, young men with white-collar jobs and failed lives take off their shoes and shirts and fight each other barehanded just as ... (展开全部) 　　The first rule about fight club is you don't talk about fight club. Chuck Palahniuk's outrageous and startling debut novel that exploded American literature and spawned a movement. Every weekend, in the basements and parking lots of bars across the country, young men with white-collar jobs and failed lives take off their shoes and shirts and fight each other barehanded just as long as they have to. Then they go back to those jobs with blackened eyes and loosened teeth and the sense that they can handle anything. Fight club is the invention of Tyler Durden, projectionist, waiter, and dark, anarchic genius, and it's only the beginning of his plans for violent revenge on an empty consumer-culture world.
　　
　　
　　The only person who gets called Ballardesque more often than Chuck Palahniuk is, well... J.G. Ballard. So, does Portland, Oregon's "torchbearer for the nihilistic generation" deserve that kind of treatment? Yes and no. There is a resemblance between Fight Club and works such as Crash and Cocaine Nights in that both see the innocuous mundanities of everyday life as nothing more than the severely loosened cap on a seething underworld cauldron of unchecked impulse and social atrocity. Welcome to the present-day U.S. of A. As Ballard's characters get their jollies from staging automobile accidents, Palahniuk's yuppies unwind from a day at the office by organizing bloodsport rings and selling soap to fund anarchist overthrows. Let's just say that neither of these guys are going to be called in to do a Full House script rewrite any time soon.
　　But while the ingredients are the same, Ballard and Palahniuk bake at completely different temperatures. Unlike his British counterpart, who tends to cast his American protagonists in a chilly light, holding them close enough to dissect but far enough away to eliminate any possibility of kinship, Palahniuk isn't happy unless he's first-person front and center, completely entangled in the whole sordid mess. An intensely psychological novel that never runs the risk of becoming clinical, Fight Club is about both the dangers of loyalty and the dreaded weight of leadership, the desire to band together and the compulsion to head for the hills. In short, it's about the pride and horror of being an American, rendered in lethally swift prose. Fight Club's protagonist might occasionally become foggy about who he truly is (you'll see what I mean), but one thing is for certain: you're not likely to forget the book's author. Never mind Ballardesque. Palahniukian here we come!
　　　　　　　　　　　　　　　　　　　　　　　　　　　　　--Bob Michaels
　　
　　
　　Featuring soap made from human fat, waiters at high-class restaurants who do unmentionable things to soup and an underground organization dedicated to inflicting a violent anarchy upon the land, Palahniuk's apocalyptic first novel is clearly not for the faint of heart. The unnamed (and extremely unreliable) narrator, who makes his living investigating accidents for a car company in order to assess their liability, is combating insomnia and a general sense of anomie by attending a steady series of support-group meetings for the grievously ill, at one of which (testicular cancer) he meets a young woman named Marla. She and the narrator get into a love triangle of sorts with Tyler Durden, a mysterious and gleefully destructive young man with whom the narrator starts a fight club, a secret society that offers young professionals the chance to beat one another to a bloody pulp. Mayhem ensues, beginning with the narrator's condo exploding and culminating with a terrorist attack on the world's tallest building. Writing in an ironic deadpan and including something to offend everyone, Palahniuk is a risky writer who takes chances galore, especially with a particularly bizarre plot twist he throws in late in the book. Caustic, outrageous, bleakly funny, violent and always unsettling, Palahniuk's utterly original creation will make even the most jaded reader sit up and take notice. Movie rights to Fox 2000.
　　
　　
　　In the world of Fight Club, healthy young people go to meetings of cancer support groups because only there can they find human warmth and compassion. It's a world where young men gather in the basements of bars to fight strangers "just as long as they have to." And it's a world where "nobody cared if he lived or died, and the feeling was fucking mutual." Messianic nihilist Tyler Durden is the inventor of Fight Club. Soon thousands of young men across the country are reporting to their work cubes with flattened noses, blackened eyes, and shattered teeth, looking forward to their next bare-knuckle maiming. The oracular, increasingly mysterious Durden then begins to harness the despair, alienation, and violence he sees so clearly into complete anarchy. Every generation frightens and unnerves its parents, and Palahniuk's first novel is gen X's most articulate assault yet on baby-boomer sensibilities. This is a dark and disturbing book that dials directly into youthful angst and will likely horrify the parents of teens and twentysomethings. It's also a powerful, and possibly brilliant, first novel.
　　　　　　　　　　　　　　　　　　　　　　　　　　　　　Thomas Gaughan
　　
　　
　　Brutal and relentless debut fiction takes anarcho-S&M chic to a whole new level--in a creepy, dystopic, confrontational novel that's also cynically smart and sharply written. Palahniuk's insomniac narrator, a drone who works as a product recall coordinator, spends his free time crashing support groups for the dying. But his after-hours life changes for the weirder when he hooks up with Tyler Durden, a waiter and projectionist with plans to screw up the world--he's a ``guerilla terrorist of the service industry.'' ``Project Mayhem'' seems taken from a page in The Anarchist Cookbook and starts small: Durden splices subliminal scenes of porno into family films and he spits into customers' soup. Things take off, though, when he begins the fight club--a gruesome late-night sport in which men beat each other up as partial initiation into Durden's bigger scheme...This brilliant bit of nihilism succeeds where so many self- described transgressive novels do not: It's dangerous because it's so compelling. (First serial to Story)
　　
　　
　　Chuck Palahniuk ist franz?sisch-russischer Abstammung und 1962 geboren. Er hat bereits vier Romane ver?ffentlicht, von denen bisher nur "Fight Club" auf Deutsch erschienen ist. Der Autor lebt in Portland, Oregon. Weitere Romane sind bei Manhattan in Vorbereitung.
　　
　　
　　length: (cm)25 　　　　　　　　　 width:(cm)13　　

作者简介 · · · · · ·

　　查克·帕拉纽克（Chuck Palahniuk），生于1962年，美国小说作家和自由撰稿人，以长篇小说处女作《搏击俱乐部》而成名，之后创作的小说一直受到读者欢迎并成为畅销书榜的常客。他的小说作品还包括：《幸存者》（Survivor，1999年）、《看不见的怪兽》（Invisible Monsters，1999年）、《窒息》（Choke，2001年）、《摇篮曲》（Lullaby，2002年）、《日记》（Diary，2003年）、《阴魂不散》（Haunted，2005年）、《咆哮》（Rant，2007年）、《大喘气》（Snuff，2008年）、《侏儒》（Pygmy，2009年）。

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