Northanger Abbey (豆瓣)

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作者: Jane Austen

ISBN: 9781853260438
页数: 179
定价: 20.0
出版社: Wordsworth Editions Ltd
装帧: 平装
出版年: 1998-4-1

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简介 · · · · · ·

　　The Wordsworth Classics covers a huge list of beloved works of literature in English and translations. This growing series is rigorously updated, with scholarly introductions and notes added to new titles.
　　
　　This novel is an early work conceived as a pastiche of the melodramatic excesses of the Gothic novel. It tells the story of the social and romantic trials of the heroine, Ca... (展开全部) 　　The Wordsworth Classics covers a huge list of beloved works of literature in English and translations. This growing series is rigorously updated, with scholarly introductions and notes added to new titles.
　　
　　This novel is an early work conceived as a pastiche of the melodramatic excesses of the Gothic novel. It tells the story of the social and romantic trials of the heroine, Catherine Morland.
　　
　　
　　Though Northanger Abbey is one of Jane Austen's earliest novels, it was not published until after her death--well after she'd established her reputation with works such as Pride and Prejudice, Emma, and Sense and Sensibility. Of all her novels, this one is the most explicitly literary in that it is primarily concerned with books and with readers. In it, Austen skewers the novelistic excesses of her day made popular in such 18th-century Gothic potboilers as Ann Radcliffe's The Mysteries of Udolpho. Decrepit castles, locked rooms, mysterious chests, cryptic notes, and tyrannical fathers all figure into Northanger Abbey, but with a decidedly satirical twist. Consider Austen's introduction of her heroine: we are told on the very first page that "no one who had ever seen Catherine Morland in her infancy, would have supposed her born to be an heroine." The author goes on to explain that Miss Morland's father is a clergyman with "a considerable independence, besides two good livings--and he was not in the least addicted to locking up his daughters." Furthermore, her mother does not die giving birth to her, and
　　Catherine herself, far from engaging in "the more heroic enjoyments of infancy, nursing a dormouse, feeding a canary-bird, or watering a rose-bush" vastly prefers playing cricket with her brothers to any girlish pastimes.
　　Catherine grows up to be a passably pretty girl and is invited to spend a few weeks in Bath with a family friend. While there she meets Henry Tilney and his sister Eleanor, who invite her to visit their family estate, Northanger Abbey. Once there, Austen amuses herself and us as Catherine, a great reader of Gothic romances, allows her imagination to run wild, finding dreadful portents in the most wonderfully prosaic events. But Austen is after something more than mere parody; she uses her rapier wit to mock not only the essential silliness of "horrid" novels, but to expose the even more horrid workings of polite society, for nothing Catherine imagines could possibly rival the hypocrisy she experiences at the hands of her supposed friends. In many respects Northanger Abbey is the most lighthearted of Jane Austen's novels, yet at its core is a serious, unsentimental commentary on love and marriage, 19th-century British style.
　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　--Alix Wilber
　　
　　
　　Novel by Jane Austen, published posthumously in 1817. Northanger Abbey, which was published with Persuasion in four volumes, was written about 1798 or 1799, probably under the title "Susan." In 1803 the manuscript of "Susan" was sold to the publisher Richard Crosby, who advertised for it, but unaccountably it was not published at that time. The novel combines a satire on conventional novels of polite society with one on gothic tales of terror. Catherine Morland, the daughter of a country parson, is the innocent abroad who gains worldly wisdom: first in the fashionable society of Bath and then at Northanger Abbey itself, where she learns not to interpret the world through her reading of gothic thrillers.
　　
　　
　　Austen is the hot property of the entertainment world with new feature film versions of Persuasion and Sense and Sensibility on the silver screen and Pride and Prejudice hitting the TV airwaves on PBS. Such high visibility will inevitably draw renewed interest in the original source materials. These new Modern Library editions offer quality hardcovers at affordable prices.
　　
　　
　　Although published after her death, Northanger Abbey is one of Jane Austen's first novels. Like Don Quixote, it satirizes a popular literary genre of the day and draws distinctions between reality and illusion. Whereas Cervantes's novel took on a life--an archetypal one, in fact--independent of its original joke, Austen's novel suffers without at least a nodding acquaintance with the Gothic novels of Ann Radcliffe. A sheltered young woman mistakes relatively innocent actions for the sinister clues she reads about. A comedy of errors, of course, ensues. Academy Award-winner Glenda Jackson does an admirable job, particularly with Austen's memorable characterizations. Her touch is perhaps a bit too heavy for the aery narrative. But finding just the right tone for this author has eluded many a fine actor. Y.R.
　　
　　
　　Jane Austin was born in Steventon, Hampshire, on December 16, 1775. Her father, the Reverend George Austen, was rector of Steventon, where she spent her first twenty-five years, along with her six brothers (two of them later naval officers in the Napoleonic wars) and her adored sister, Cassandra. She read voraciously from an early age, counting among her favorites the novels of Samuel Richardson, Henry Fielding, and Fanny Burney, and the poetry of William Cowper and George Crabbe. Her family was lively and affectionate and they encouraged her precocious literary efforts, the earliest dating from age twelve, which already displayed the beginnings of her comic style. Her first novels, Elinor and Marianne (1796) and First Impressions (1797), were not published. The gothic parody Northanger Abbey was accepted for publication in 1803 but was ultimately withheld by the publisher.
　　
　　In 1801 the family moved to Bath, where for four years Austen was able to observe the fashionable watering place that would later figure prominently in her fiction. Austen was sociable in her youth, and was briefly engaged in 1802. Two years later she began work on The Watsons, a novel that remained unfinished. After the death of her father in 1805, she lived with her mother and sister in Southampton for a few years before moving with them to a cottage at Chawton in Hampshire. This would be her home for the rest of her life, and she wrote many of her novels in its parlor. She continued to revise her earlier unpublished work, and in 1811 a version of Elinor and Marianne was published as Sense and Sensibility, followed two years later by Pride and Prejudice, a reworking of First Impressions. In the next few years she published Mansfield Park (1814) and Emma (1816).
　　
　　Austen became ill in 1815, perhaps with Addison's disease, and she died on July 18, 1817. Persuasion, her last novel, and the earlier Northanger Abbey appeared the following year. Of her last days her brother wrote: 'She wrote whilst she could hold a pen, and with a pencil when a pen was become too laborious. The day preceding her death she composed some stanzas replete with fancy and vigour.' Although Austen received some praise from her contemporaries--notably Sir Walter Scott, who discerned in her work 'the exquisite touch, which renders ordinary commonplace things and characters interesting, from the truth of the description and the sentiment'--her detractors included Charlotte Bronte ('very incomplete and rather insensible') and Ralph Waldo Emerson ('vulgar in tone, sterile in artistic invention'), and her books did not immediately find a wide readership. The turn in her reputation came late in the nineteenth century, and has been succeeded by an enduring popularity and widespread critical praise in the twentieth.
　　
　　
　　length: (cm)19.8 　　　　　　　　　　　　　 width:(cm)12.6　　

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小说.价值.生活
大头小鱼(人生好时节/)

这篇小说应该算是简奥斯汀小说中最轻松的一个总的说来就是一个不谙世事的女孩来到陌生的地方面对友情和爱情的故事身边不少朋友不喜欢读小说,其中有原因是因为小说没有所谓的实用性,故事离自己也很遥远(特别是古典小说),但是.正如德波顿书里提及的, "小说的价值不限于将我们生命中熟悉的情感和人事一一描绘,小说还可...... (1回应)

2008-05-19