Lásky jedné plavovlásky

　　少年彼德的煩惱之後，輪到女孩子更上心頭的期盼失落。小鎮女多男少，寄宿的金髮姑娘安杜娜渴望愛情，愛她的湯達她不愛，她愛的鋼琴家米爾達卻只想跟她上床。一個周末下午，她毅然走訪米爾達，接待的卻是米爾達的父母，他們讓安杜娜在兒子的房間度宿，愛情夢雖回歸到現實去，但這一晚她睡得不錯。科曼另一個作者特質，就是由熱鬧喜劇看緩慢流動的人生，在女生參加軍隊歡迎舞會一場盡見功架；貌似小機智小幽默，其實處處是新與舊，個人與集體的自覺寫照。此作炮製捷克銀幕的首個裸體，成了新浪潮破禁的一大象徵。
　　
　　奧斯卡最佳外語片提名、丹麥影評人大獎最佳歐洲片
　　
　　那真的是一部觸動人心的電影。優越的演出與故事，深深打動了我。影片細節豐富，很窩心，每格畫面都經細心觀察。影片很低調，毫不造作，當然是黑白──沒有高反差、沒有戲劇化場面。攝影、構圖、燈光，它的一切，我幾乎都喜歡。
　　
　　－堅‧盧治
　　
　　Forman's follow-up to his debut centres on Andula and her quest for perfect love. In a town with a paucity of suitable young men, the opening of a military base is cause for hope that is quickly dashed. When Andula is fortunate enough to meet a young traveling piano player, she is swept off her feet, and soon heads to Prague to find him. The simple three-act romance is one of Forman's least fussy narratives. Andula eagerly awaits an intense love affair, and when she finally gets one she discovers the harder truths of the complex, often inexplicable emotion. This was the film that propelled Forman to the front ranks of international renown, earning an Oscar nomination in 1965.
　　
　　Best European Film at Bodil Awards
　　
　　That was the film that really struck a chord. I was tremendously impressed by the quality of the performances and the storytelling - it was very detailed, very intimate, you felt that every frame had been closely observed. I liked almost everything about it - the photography and the framing of the shots and the way they were lit.
　　
　　- Ken Loach
　　
　　Source: HKIFF Czech New Wave 2006

捷克(49)  MilosForman(25)  捷克电影(13)  Milos_Forman(13)  米洛斯-福曼(11)  1960s(8)  1965(7)  60s(7)  

lovely movie	来自祎yi		2006-04-09