The shooting of "Je vous presente Pamela" (may I introduce Pamela) begins. This is the story of en english married wife falling in love and running away with the father of her French husband. Will be simultaneously shozn the shooting, the behavior of the people (including the technical team) on the set, and a part of their private life (a factor of complication)... Written by Y... (展开全部) The shooting of "Je vous presente Pamela" (may I introduce Pamela) begins. This is the story of en english married wife falling in love and running away with the father of her French husband. Will be simultaneously shozn the shooting, the behavior of the people (including the technical team) on the set, and a part of their private life (a factor of complication)... Written by Yepok A film company at work. Actors arrive and depart; liaisons develop. Julie, the beautiful but possibly unstable lead, is recovering from a breakdown, aided by an older physician, her new husband. Alphonse is insecure, he babbles. When his fiance exits with a stunt man, he threatens to quit. Julie must convince him to stay. Alexandre, a consummate pro on the set, runs back and forth to the airport hoping a certain young man will visit. Severine, no longer young, hits the bottle and covers blown lines with emotional outbursts. At the center is Ferrand, the writer director, who must make constant decisions, answer a stream of questions, and deliver the film on schedule. Written by {jhailey@hotmail.com}
电影就像黑夜中飞驰而过的列车,看过这部电影就不会忘记这句经典台词。它包含了特吕弗对电影的爱。Day for night对特吕弗来说有着非常重要的意义,在前面几部作品失败后,特吕弗这部电影使他重回国际大导行列之中。电影中处处可见特吕弗对影史的致敬。关于小孩偷公民凯恩的剧照,还有对杂志的特写(上面印有布烈松,布鲁埃尔,希区......
日以作夜 day for night
片子围绕一个电影的拍摄展开,讲台前幕后、戏里戏外、生活与电影。感觉不是吕弗的一贯风格。
片子提出一个问题:是生活重要还是电影虚拟重要?
也许是这个:演戏太久的人会忘记本来生活的感觉,混淆了真实与虚拟?
片中的每个人,无论是演员、导演、剧务什么,全都有自己的私人......