水陆观音第139期

昨天的138丰江舟专场好多人啊……
下周有荷兰强人。去美术馆新媒体展看他的装置啊，巨型……

英文在后面。

水陆观音第一百三十九期
6月10日星期二，晚9点30


1，Szilard（FR）
2，Other Veins（FR）
3，艾德温•范•德•海德（NL）
4，Patel Pretal（UK）

制作：撒把芥末/观音唱片
海报设计：阮千瑞；海报题字：老车；现场协调和记录：史阳、王颖艽；现场唱片店：白糖罐（www.sugarjar.cn/）。

地址：两个好朋友酒吧（东风桥西300米路北，汽车电影院内）
电话：64388998


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Szilard (analog tapes, AM radio + live guzheng)
Other Veins (improvised sound+light megaphone madness)

Szilard

Szilard is the China-based solo sonic adventure of Jeremy Young, former resident of New York and Montreal where he has performed in a few bands including Sontag Shogun and (The) Slowest Runner (In All The World). A normal night of music for Szilard consists of guitar drones and looped answering-machine tapes among other sound-making objects and instruments, however for this upcoming performance he will be utilizing only sound elements gathered from China in the past and present. Time will cripple and collapse into form with three tools of talking:

-A Chinese handradio freely channeling AM signals.
-Magnetic analog tapes regurgitating the voices and simulacra of today’s China
-And live Guzheng mirroring the fabrics of ancient China and offering a wholly melodic counterpart to the layered and rippled soundscapes.

Szilard will be performing both solo and in collaborative communication with Other Veins.


Other Veins:

Jeremy O’Sullivan orbits a celestial body of inter-media and installation art. Since graduating from Elam School in New Zealand his work has found a resting spot somewhere in the pale limits scribed by the process of globalization. Reflecting on notions of constructed time, repetition, distribution of space and the resolution of reality his practice collapses and re-assembles the social and economical systems that underpin contemporary life. Using the debris of consumerism, the plastic scraps, cardboard boxes, tape weeds and vacant advertising dribbles as his compost he sets about formulating an endless echo of meaning undone by its own lack. Sound has always been an integral facet of his constructions often used to project {with the aid of an inner speaker horn fetish} elements of the everyday back on itself. Amplified silence; a 1000 pigeons cooing amongst sine waves.

Now located in Beijing and when not entangled teaching the kids of the ‘Aerospace Kindergarten’ he plots the course of a film about a women on a quest to the centre of the universe. His forthcoming work at ‘2 kolegas’ will see some of the concepts from that cosmos transposed into the theatre of sound performance. Taking the mantle of a middle man, a sonic go-between agent he will be playing his dogged ally the megaphone. Cast through a scrum of torch beams and amateur camera speckles a space will be constructed of amplifications, feedbacks and de-formed cycles garnished from the other performers and the environment as both unfold. Collaboration with other musicians allows Jeremy to refuse the creation of his own inputs, focusing instead on re-distributing the outputs of those around him. Space is a hole envisioned only by other holes.


Szilard（磁带、收音机、古筝）
Other Veins（即兴声音 + 喊话器）
Szilard 是Jeremy Young 的个人计划。Other Veins是Jeremy Young和Jeremy O'Sullivan，两个Jeremy。
———————————————————————————————————————艾德温•范•德•海德

http://www.evdh.net
Sensorband成员，2006年北京世纪坛的新媒体艺术展上，有他的机器怪兽。
艾德温•范•德•海德于1992年毕业于荷兰海牙皇家音乐学院，学习声学。作为独立艺术家，在声音、空间和互动领域从事艺术工作。很难用传统的音乐、声音艺术或者媒体艺术的术语来定义他目前的工作，因为他总是在旧有媒介的边缘与特性之上工作。在这个意义上，媒介并不仅仅是中介物，而是被探索和重新定义的。尽管音乐语言被运用在作品中，但这并不是说，作品的呈现和音乐会形式的音乐有什么必要的联系。其结果可以是装置、表演，或一个环境。1995年，他被荷兰海牙皇家音乐学院和皇家艺术学院聘任，作为跨学科“图象声音/艺术科技”教师。2002年以来，他也在雷登大学教授媒体科技硕士。
1989年，艾德温•范•德•海德开始用定制感应器乐器表演。它把音乐带入一个有强烈肢体操作、强调声音本身的新形式。在表演中，他对空间的兴趣日益浓厚。他意识到新的可能性——把一个空间当作乐器来操作，甚至更进一步，把人类感觉和观众的知觉当作可以用来“作曲”的乐器。经过一些年头，他的作品重心转移到了声音装置、互动装置和环境上。现场表演仍然是作品的一部分，但重点已经转移到环境的内容上，并且减少了对表演者的关注。
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Patel Pretal

来自伦敦的人声长音乐队。他们使用老旧设备、磁带和电脑，用以处理、扭曲现场即兴的人声。美学上，他们受到Basic Channel、威廉•巴辛斯基以及安德烈•塔科夫斯基的电影的影响。多米尼克（多多）独奏的时候，以同样的方式工作，用曼托林、磬和磁带作为声源，常常完全以原声设备演奏。最近的录音和活动可以在这里看到：www.myspace.com/patelpretal
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水陆观音：
一个有关声音、音乐、艺术和环境的系列交流活动。
2005年6月创办，每周二晚上免费入场。一个向实验/即兴音乐家、声音艺术家开放的交流平台。包容来自不同背景的表演者，鼓励自由即兴和实验探索，力图促成更多的合作，激发表演者和观众的想象力，并混淆他们之间的区别。它延续观音唱片的宗旨–追求精神性的实验音乐和影像，追求表演和环境的沟通统一，探讨、促进新音乐的生态环境。

观：动词，观察，观看，认知，体会；
音：名词，声音，音乐，信息，存在。

曾经出现在水陆观音舞台上的名字：

718、武权、武子以、王凡、颜峻、张荐、丰江舟、小河、柿子、孙玮（THX）、健崔、杨韬、铁观音、背信弃义的双鱼座人、Szkieve、姚斌、八股歌、美之瓜、虎子、欧宁 + 曹斐（影像）、Mogauwane Mahloele、老赵、郭龙、李铁桥、曾勇（21g工作组）、Melvin Gibbs、金闪、小四、王长存、fm3、崔健、Einstürzende Neubauten（影像）、Huoratron（Aku Raski）、earweego、Jackson Garland、White、Staalplaat Soundsystem、巫娜、王磊、Nara、iloop、朱剑辉、刘小宁、糖、铁子以、Dead J、DJ OK、ME:MO、SUN dawei、Randomk(e)、DDV、DJ OK、伊力奇、周日升、Eugene Martynec、A Train Wreck for My Comrades、谢天笑、2J、Tatsuya Nakatani（中谷达也） + Audrey Chen（陈皓伊）、Frédéric Blin + Aymeric de Tapol、Pink Twins、Kristian、Theory Of Everything: video art from tokyo（影像）、NASA、田鹏、曹操、守望、沈静、麻沸散、阿米巴、吴俊德、赵已然、Carlos Djanuno Dabo、Zbigniew Karkowski、李劲松（Dickson Dee）、Fannullone (DE)、吉田达也、河端一、津山笃、挂在盒子上、Vialka、Umbrellas、10（马球多 + itta）、Acidzen、D!O!D!O!D、斜韵、SAM2、DINO、林其蔚、EL（杨捷）、四线方格、白天、张安定、A Lower Summer、JEFF (aka Impregnable)、Fathmount、Dead J、龙二+泊（视频）、刘茜（视频）、陈雄伟（视频）、Jules Ambroisine、Steve Barker（DJ）、Leo De Boisgisson（DJ）、得（王旭梁）、盛洁、高一涵、国安 + 慧玲（戏剧）、李增辉、Wei Zen Ho、小珂（舞蹈）、Waldchengarten、Miha Ciglar、 sys.view|view.sys、noise crush、Jan Trützschler von Falkenstein、Boogie、Jet Echo、Maxwell Miller、凯比鸟、The Lowest Summer、周晟、Alessandro Bosetti、Aaron Hull、Laurent Jeanneau、splinter vs stalin、IOIOI、辣歌合唱团、十连阵（冯昊＋ 杨韬+小伟）、Joel Grip、David Coulter、Auranoisazzzz、Biki、Yasuhiro Usui、Satoshi Yashiro、Keisuke Oki、Meri Nikula、Emil De Waal、Bandapart、Justice Yeldham、Philippe Bizot（默剧）、Olivier Palai、Manels、Fish的床上暴动、乔小刀、Lisa Nordstr?m、Ivo Bol、Justin Padro、盛海、Johan Soderberg（纪录片）、Noiscape Oceanaunts、Neil B. Rolnick、史阳、Maria Kohnke、Frishzelle、Patel Pretal、Morgan Packard、Fabio Fonda、马恩列思毛、Jeff Rehnlund、SAM2 + BlastSam + xinix + VacuumCar'ori + ShiYang + TronOrchestra +、宇治野宗辉、吴少英、曾伟豪、瓷、Unique Oil Free Air、Bruce Gremo、Satch Hoyt、窦唯、Bernhard Gal、Christof Cargnelli、核桃室、李耀诚、Knyfe Hyts、Islaja、Different Song、张晶晶、热和冷、Speak Chinese Or Die、Rúnar Magnússon、老羊、David Oppetit aka D*OpP、Isis（CN）、两个小英雄（陆晨+和小宇）、Simon Frank、mgl、VA（vicky和alex）、怀丁陛士德、阿格维德、arc.Sid、Andy Guhl、Fecalove、DBPIT+Cris X、Joao Vasco、Dom Pedro、音乐（le）调教学校……





Waterland Kwanyin #139
June 10th, tuesday, 9:30pm


1, Szilard (FR)
2, Other Veins (FR)
3, Edwin van der Heide (NL)
4, Patel Pretal (UK）

produce: Sub Jam/KwanYin Records.
poster design: Ruan Qianrui; calligraphy: Lao Che; produce assist and recording: Shi Yang and Wang Yingjiao; CD retail: Sugar Jar (www.sugarjar.cn)

venue: 2 kolegas bar, qi che dian ying yuan (drive in movie theater, north side of dong feng road, 300 meters west of dong feng qiao)
tel: 64388998


———————————————————————————————————————
Szilard (analog tapes, AM radio + live guzheng)
Other Veins (improvised sound+light megaphone madness)

Szilard

Szilard is the China-based solo sonic adventure of Jeremy Young, former resident of New York and Montreal where he has performed in a few bands including Sontag Shogun and (The) Slowest Runner (In All The World). A normal night of music for Szilard consists of guitar drones and looped answering-machine tapes among other sound-making objects and instruments, however for this upcoming performance he will be utilizing only sound elements gathered from China in the past and present. Time will cripple and collapse into form with three tools of talking:

-A Chinese handradio freely channeling AM signals.
-Magnetic analog tapes regurgitating the voices and simulacra of today’s China
-And live Guzheng mirroring the fabrics of ancient China and offering a wholly melodic counterpart to the layered and rippled soundscapes.

Szilard will be performing both solo and in collaborative communication with Other Veins.


Other Veins:

Jeremy O’Sullivan orbits a celestial body of inter-media and installation art. Since graduating from Elam School in New Zealand his work has found a resting spot somewhere in the pale limits scribed by the process of globalization. Reflecting on notions of constructed time, repetition, distribution of space and the resolution of reality his practice collapses and re-assembles the social and economical systems that underpin contemporary life. Using the debris of consumerism, the plastic scraps, cardboard boxes, tape weeds and vacant advertising dribbles as his compost he sets about formulating an endless echo of meaning undone by its own lack. Sound has always been an integral facet of his constructions often used to project {with the aid of an inner speaker horn fetish} elements of the everyday back on itself. Amplified silence; a 1000 pigeons cooing amongst sine waves.

Now located in Beijing and when not entangled teaching the kids of the ‘Aerospace Kindergarten’ he plots the course of a film about a women on a quest to the centre of the universe. His forthcoming work at ‘2 kolegas’ will see some of the concepts from that cosmos transposed into the theatre of sound performance. Taking the mantle of a middle man, a sonic go-between agent he will be playing his dogged ally the megaphone. Cast through a scrum of torch beams and amateur camera speckles a space will be constructed of amplifications, feedbacks and de-formed cycles garnished from the other performers and the environment as both unfold. Collaboration with other musicians allows Jeremy to refuse the creation of his own inputs, focusing instead on re-distributing the outputs of those around him. Space is a hole envisioned only by other holes.
———————————————————————————————————————
Edwin van der Heide

http://www.evdh.net
Edwin van der Heide studied Sonology at the Royal Conservatory, where he graduated in 1992. He is working as autonomous artist in the field of sound, space and interaction. His current work is hard to define in the traditional terms of music, sound art or media art because he is often working on the edge and the characteristics of the used medium. In this sense the medium does not just mediate but is being explored and redefined. Although qualities of musical language are being used in the development of the work it does not mean that the presentation form of the work is necessarily related to the concert form known in music. The result can either be an installation, a performance or an environment. In 1995 he was invited to become a teacher at the interfaculty Image and Sound / ArtScience of the Royal Conservatory and the Royal Arts Academy in The Hague, The Netherlands. Since 2002 he also teaches for the students of the Master of Media Technology program at Leiden University.


In 1989 Edwin van der Heide started giving performances with custom build sensor based instruments. This let to a from of music with a strong physical approach and an emphasis on sound itself. The formation of Sensorband in 1993/1994 was a continuation in this direction. While performing he developed more and more an interest in space/spaces. He realised that it would be possible to approach a space as an instrument and, even one step further, to approach the human senses and the perception of the audience as an instrument for which you could compose. Over the years the focus of his work has shifted to sound installations, interactive installations and environments. The performance aspect is still present in part of the work but the emphasis has shifted to the content of the environment and less focus on the performer.
———————————————————————————————————————
Patel Pretal

Patel Pretal are a vocal drone group from London, UK. They use old equipment, tapes and computers to process and distort live vocal improvisations; aesthetically influenced by Basic Channel, William Basinski and films by Andrei Tarkovsky. Dominik (Duo Duo), playing solo, works in a similar way, though uses mandolin, singing bowls and tapes as his sound sources and often plays with a purely acoustic setup. Recent recordings and activities can be scrutinized here: www.myspace.com/patelpretal.
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waterland kwanyin
—-sound, music, visual, ecology environment

kwan (guan1): view, observe, watch, experience
yin (yin1): music, sound, sonic existence, information

since June of 2005, Waterland Kwanyin is the first open plate for experimental, improvised musicians and sound artists who live or transiently in Beijing. as the idea from KwanYin Records, it offers opportunities for artists from different background who now (or in the future) be into free music, e.g. abstract and spiritual sound, field recording mix, noise, electroacoustic, sonic explore, as well visual art, body performance, etc.

every tuesday, free entrance. charged shows were plused since October of 2007.

who was played here since June 2005:

718, Wu Quan, Wu Ziyi, Wang Fan, Yan Jun, Zhang Jian, Feng Jiangzhou, Xiao He, Shi Zi, Sun Wei (THX), Jian Cui, Yang Tao, Tie Guan Yin, Pisces Iscariots (US/CN), Szkieve (CA), Yao Bin, 8gg, Mei Zhi Gua, HZ, Ou Ning + Cao Fei (video), Mogauwane Mahloele (ZA), Christiaan Virant, Guo Long, Li Tieqiao, Zeng Yong (aka 21g), Melvin Gibbs (US), Jin Shan, Sic, Wang Changcun, FM3, Cui Jian, Einstürzende Neubauten (DE) (video), Huoratron (Aku Raski) (FI), Earweego (DE/CN), Jackson Garland (US), White, Staalplaat Soundsystem(NL/DE), Wu Na, Wang Lei, Nara, iLoop, Double Fish, Liu Xiaoning, Tang, Tie Ziyi Duo, Dead J, DJ OK, me:mo, SUN Dawei, Randomk(e), DDV (BE), Yi Liqi, Zhou Risheng, Eugene Martynec (CA), A Train Wreck for My Comrades, Xie Tianxiao (aka XTX), 2J, Tatsuya Nakatani + Audrey Chen Duo (JP/US), Frédéric Blin + Aymeric de Tapol (FR) , Pink Twins (FI), Kristian (UK), Theory Of Everything: Video Art From Tokyo (video screening), NASA, Tian Peng, Cao Cao, Jeff Zhang (aka Shouwang), Shen Jing (aka Shenggy), Ma Fei San, Amoeba, Wu Junde, Zhao Yiran, Carlos Djanuno Dabo (FR), Zbigniew Karkowski (PL/SE/JP), Li Chin Sung (aka Dickson Dee) (HK), Fannullone (DE), Yoshida Tatsuya + Tsuyama Atsushi + Kawabata Makoto (JP), Hang On The Box, Vialka (FR/CA), Umbrellas, 10 (Marqido + Itta) (JP/KR), Acidzen, D!O!D!O!D!, Xie Yun (Tipsy Verse), SAM2 (JP), DINO (TW), Lin Chi-Wei (TW), EL Yang (TW), Si Xian Fang Ge (4 Lines Pane), Zafka, bai+ian, A Lower Summer, JEFF (aka Impregnable) (US), Fathmount (HK), Long 2 +Po (visual), Liu Qian (visual), Chen Xiongwei (visual), Jules Ambroisine (AU), Steve Barker (DJ, UK), Leo De Boisgisson (DJ, FR), DE (Wang Xuliang), Shengjie, Guoan ＋ Hueiling (HK/TW), Gao Yihan (visual), Li Zenghui, Wei Zen Ho (AU), Xiao Ke (dance), Waldchengarten (DK), Miha Ciglar (SI), sys.view|view.sys (US), noise crush (US), Jan Trützschler von Falkenstein (DE), Boogie (SE), Jet Echo (KR), Maxwell Miller (NL), The Lowest Summer, KBN (TW), Zhou Sheng, Alessandro Bosetti (IT), Aaron Hull (AU), Laurent Jeanneau (FR), splinter vs stalin (IT), IOIOI (IT), Spicy Boys, Ten Joint Array, Joel Grip (SE), David Coulter (UK), Auranoisazzzz (JP), Biki (JP), Yasuhiro Usui (JP), Satoshi Yashiro (JP), Keisuke Oki (JP), Meri Nikula (FI), Emil De Waal (DK), Bandapart (DK), Justice Yeldham (AU), Philippe Bizot (Mime, FR), Olivier Palai (FR), Manels (FR), Fish and the Bedroom Riot (TW), Qiao Xiaodao, Lisa Nordstr?m (SE), Ivo Bol (NL), Justin Padro (US), Henri Seng (multi-media), Johan Soderberg (documentary film), Noiscape Oceanaunts, Neil B. Rolnick (US), Shi Yang, Maria Kohnke (DK), Frishzelle (DE), Patel Pretal (UK), Morgan Packard (US), Fabio Fonda (IT), More Less More, Jeff Rehnlund (US/KR), SAM2 + BlastSam + xinix + VacuumCar'ori + ShiYang + TronOrchestra +, Ujino Muneteru (JP), Cindy Ng Sio Ieng (TW), TSENG Wei-Hao (TW), china, Unique Oil Free Air (AU), Bruce Gremo (US), Satch Hoyt (UK), Dou Wei, Bernhard Gal (AT), Christof Cargnelli (AT), Walnut Room, John Lee (HK), Knyfe Hyts (US), Islaja (FI), Different Song (CH), Zhang Jingjing, Hot and Cold, Speak Chinese Or Die, Rúnar Magnússon (IS), Lao Yang, David Oppetit aka D*OpP (FR), Isis (CN), Two Little Heros (Lu Chen + He Xiaoyu), Simon Frank (CA), mgl (US), VA (vicky and alex), The Wedding Beast, Roberto Arcaute (MX), arc.Sid (MX), Andy Guhl (CH), Fecalove (IT), DBPIT+Cris X (IT), Joao Vasco (PT), Dom Pedro (US/CN), Music Discipline School (MDS)...