《自我控诉》中文首演（北京、香港、深圳巡演）
薪傳實驗劇團（北京）
网站
http://sites.google.com/site/theatreRE
2009年11月20日20:00；21日15:00、20:00
香港藝穗會
地图
http://www.hkfringe.com.hk/where_we_are.html
票價99/80港元
快达票购票热线31 288 288
剧情简介：
一骑当千，无法无天，疯疯癫癫，空话连篇。
没有剧情，只有矫情，特tm实验，像在服刑。
语言无用，非礼勿诵，不痒不痛，怦然心动。
作家简介：
不管你信不信，彼得·汉克的所有作品从来没有在中文世界授权公演过！
2004年诺贝尔文学奖得主耶利内克说，汉克更有资格获奖，因为他是活着的经典。
他既是诗人也是小说家，既是编剧也是电影导演。作为德语世界的最重量级作家，汉克是所有戏剧史无法跳过的篇章。和其它的大师一样，他的成名作虽然写于 1960年代却依然能超越我们这个时代。他的代表作包括剧本《冒犯观众》、小说《守门员对点球的焦虑》和维姆·文德斯电影《歧路》、《柏林苍穹下》。汉克于1968年获霍普特曼奖，1973年获毕希纳奖和奥比奖，2009年获卡夫卡奖。
《自我控诉》貌似是一部说话人骂自己的戏，实则是在质疑整个人类社会，同时探讨语言本身的存在。演员将用不同的言咏方式在情感状态的河流中完成表演，身体、声音、画面均成奇观。
文本：彼得·汉克
翻译：张硕修
演员：李浩天
导演、制作：王翀
灯光、舞美：刘淑昌
海报设计：文那
剧照：李晏
导演的话：
我犯了艺术的原罪。我厌恶平庸的戏剧。我没在胡同里深造过。我不懂在饭桌上连横合纵。我不愿被恶俗潜规则。我不学心理年龄明明八十多岁了做出来的全是儿童剧。我摘掉白领和红旗。我长着白毛和红掌。我不想在剧场里卖笑。我不想在剧场里卖。我不想在剧场。我不想。我。我我我。我的曲项向天歌。我的白毛浮绿水。我的红掌拨清波。
创作者：
演员李浩天，毕业于中央戏剧学院，主演戏剧作品：林兆华导演的《建筑大师》、孟京辉导演的《迷宫》。
导演王翀，北京大学法学学士、夏威夷大学戏剧硕士，也曾在加州大学和纽约水磨坊中心学习戏剧。他曾获2009年蒙洛里爱国际戏剧节大奖提名、2008年北京青年戏剧节新锐导演奖、2007年中国译协韩素音青年翻译奖亚军。王翀的导演作品包括：
2009《阴道独白》中国大陆首度授权公演，京沪巡演
——“创造历史，因而值得铭记”——学者田卉群，
《北京青年报》
2008《电之驿站》北京、纽约、魁北克巡演
——“令人兴奋的国际级作品”——艺术总监孟京辉，《新京报》
2007《阿拉伯之夜》中文首演，北京
——“2007值得收藏的美丽回忆”——剧评人刘净植，《北京青年报》
2006《哈姆雷特主义》檀香山、北京
——“饱含政治意味”——Joseph T. Rozmiarek专栏剧评Honolulu Advertizer
薪传实验剧团成立于2008年，剧团成员全部为80后戏剧人，不满于平庸而肤浅的北京戏剧，旨在寻找戏剧新美学。剧团携身体剧场作品《电之驿站》，于2009年夏赴纽约国际实验戏剧节和加拿大蒙洛里爱国际戏剧节演出，这是80后戏剧首次登上国际舞台。
Self-accusation
By Peter Handke
Chinese Language Premiere
Beijing: Oct. 28-Nov. 1, 19:30, the Nine Theatre
Ticket price: 79 RMB
Hong Kong: Nov. 20, 20:00; Nov. 21, 15:00, 20:00, the Fringe Club
Ticket price: 99/80 HKD
Director and producer: WANG Chong
Performer: LI Haotian
Lighting designer: LIU Shuchang
Text: Peter Handke
Translator: ZHANG Shuoxiu
Poster designer: Wenna
Photographer: LI Yan
About the play:
Believe it or not, Peter Handke's works have never been produced under authorization in the Chinese speaking world. But now, you could see the Chinese language premiere of his Self-accusation (Selbstbezichtigung) in Beijing and Hong Kong. It is one of Handke's avant-garde works that pushed the boundaries of theatre. Influenced by the writings of philosopher Ludwig Wittgenstein, Handke's own plays, including Self-accusation, challenge the role and influence that language plays in creating one's identity, questioning the importance of language and the barriers that language creates. The Chinese production sheds lights on the 1965 play by focusing on the solo-performer's vocality and physicality.
About the playwright:
Peter Handke (1942-), the Austrian playwright, poet, and novelist who has won several major German literary awards, is unarguably one of the greatest writers of our time. Elfriede Jelinek, the 2004 Nobel Prize Laureate in Literature, has praised him as a "living classic" and a better writer. His works include Offending the Audience and The Goalie's Anxiety at the Penalty Kick.
About the group:
http://sites.google.com/site/theatreRE
Théâtre du Rêve Expérimental is dedicated to refresh the stagnant theatre scene in Beijing. Most of the troupe members are graduates from prestigious schools, such as the Central Academy of Drama, Peking University, UC Berkeley, and NYU. Théâtre du Rêve Expérimental toured e-Station in New York and Quebéc during the summer of 2009, making it the youngest Chinese theatre group to tour internationally.
WANG Chong, its founder, is an award-winning director and translator. He has studied theatre at Peking University, University of Hawaii, and UC Irvine. His works have been praised by the media as "exciting work on an international level," "memorable work of the year," and "history in the making." He made his debut in Hong Kong as a performer in Crossing, a 2007 IDEA international collaboration.
LI Haotian, the solo-performer graduated from the Central Academy of Drama, has worked professionally with renowned directors Jim Chim, LIN Zhaohua, and MENG Jinghui. He made his debut in Hong Kong in LIN’s The Master Builder.
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