声东击西系列演出二十期——马恩河畔的奇迹
演出时间：2009.05.24（周日）21：00
演出地点：愚公移山俱乐部(东城区张自忠路3-2号段祺瑞执政府旧址西院)
演出门票：50元（现场售票）40元（短信／邮件预订）30元（预售票/学生票）
预定邮箱：shengdongjixi@gmail.com
演出风格：新爵士 实验摇滚 自由即兴
演出阵容：
李铁桥 [Saxophone]
Pierre Brahin [Guitar]（法国）
James William [Drum]（巴西）
尼古拉斯 [打击乐]（法国）
大鹏 [Bass]
声东击西演出二十期，李铁桥邀请到来自法国的著名爵士吉他手Pierre Brahin（皮埃尔 布拉汉）和来自巴西的自由爵士鼓手James William（占姆士 威廉姆），还有美好药店乐队贝司手大鹏和其他特邀即兴舞蹈、打击乐嘉宾。将带来一场先锋爵士、实验摇滚的盛宴。
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北京自由即兴音乐联盟是一个以音乐交流为主的前卫艺术团体，由萨克斯手李铁桥倡导组成。成员主要来自古典乐手、爵士乐手、摇滚乐手、民族乐手、电子乐手、多媒体艺术家、先锋舞蹈艺术家。
北京自由即兴音乐联盟从2007年11月开始策划“声东击西”系列自由即兴演出。目前主要活动范围在北京地区。
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乐手简历
李铁桥
李铁桥，祖籍湖南，萨克斯手。
1995年～2005年生活在北京。他参加的乐队有：美好药店乐队、乒乓聚会乐队、即兴团体“美之瓜9﹢2”。
2005年～2007年，他生活在奥斯陆。开始接触自由即兴音乐，他在挪威的主要合作对象包括：自由爵士乐手、新古典乐手、黑金摇滚乐手、民族乐手、前卫 诗人、即兴舞蹈、实验话剧等。其中著名的乐手有：Paal Nilssen-Love, Ingebrigt Harker Flaten, Maja Ratkje, Ketil Gutvik, Rolf-Erik Nystrøm...
2007年9月，李铁桥回到北京。
2008年3月，李铁桥策划第一届“2008中国先锋音乐节”——"Sally Can’t Dance festival"。同年7月，李铁桥策划每月一场的北京自由即兴交流活动——“声东击西”系列演出。同年10月，李铁桥独立出版首张萨克斯独奏专辑《风 啊，他们疯了！》。
李铁桥参加的乐队和艺术团体有：“美好药店乐队”、 “乒乓聚会乐队” 、 “美之瓜9＋2即兴团体”、 “D!O!D!O!D! ＋李铁桥”、 “Banshee Howle”（挪威）、 “TAT”（挪威）、 “Tveit/Qiao/Gunia”（挪威）、 “Dom Padro” 、 “萨克斯独奏＋效果器” 、 “Lucky Trio”、 “茶爆”。
李铁桥参入录制的唱片有：《被侮辱的姿势》 《请给我放大一张表妹的照片》 《美之瓜9+2》 《通往北方之路》 《南京现场》 《风啊，他们疯了！》
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Pierre Brahin
Pierre Brahin
Started studying piano and guitar at classical music school in France. He started studying jazz as a teenager and followed the teaching of the guitarist of the French National Jazz Orchestra, Gérard Pansanel. Therefore he joined many bands in France and China (Chongqing and Beijing) ranging from jazz to experimental music and flamenco. In Beijing he formed the band "Frank Segen Quartet", a jazz band characteristic by its rearrangements of modern and early chinese songs. Pierre Brahin had also the opportunity of creating music for short movies in France, and ballet music in Beijing (« Space Diary »).
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James William
James William was born in Sao Paulo, in 1975. He took up playing the drums at the
age of ten. At the age of fifteen, he started to play professionally, but did not cease
to study. With Magno Bissoli, he researched the Brazilian music for four years;
moreover, with other references of the drummer world, such as Robertinho Silva,
Zé Eduardo Nazário, Lilian Carmona, Nenê, Tony Williams and Billy Cobhan, he
took part in short courses for specific trainings. With Bob Wyatt, he specialized in
jazz and improvisation. At the same time, he made part of a Big Band led by the
conductor Proveta, renowned by performing Brazilian popular music through
instrumental language.
James William deals with great diversity of rhythms due to his wide professional
experience, which includes participations in the pop segment, playing for
popular singers of Brazil as well as recording jingles and vignettes. His
performances were, however, very impressive in the instrumental and alternative
segment, that consists of shows in the traditional dance club Cartola, in which
samba gafieira prevailed, concerts with the band Expresso 2222, known for
progressive rock, soul and blues, as well as performances with the percussive
group Takteddrums, that combined Brazilian and Afro-cuban rhythms with jazz,
and the Latin American music band Lacunaracha. In 1998, he was considered
one of the greatest jazz musicians of Brazil by the Cascavel Jazz Festival 98,
due to his performance and compositions with his band Acarajazz, whose work
fused Brazilian music to jazz.
In 2004, James William astonished the Thai island Koh Samui with continuous
performances along the year and now he is back to Asia, in China, to keep on
spreading the good and varied languages of music to people.
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